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gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:musical
gptkb:television_series
gptkb:radio_station
gptkb:graphic_novel
gptkb:stage_adaptation
gptkb:television_adaptation
gptkb:audiobook
gptkb:film
gptkb:stage_play
|
|
gptkbp:adaptation_year
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gptkb:1978
gptkb:1997
gptkb:2017
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gptkbp:author
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gptkb:George_Eliot
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gptkbp:available_on
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gptkb:audiobook
E-book
|
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gptkbp:character
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gptkb:Bessy_Tulliver
gptkb:Lucy_Deane
gptkb:Mr._Tulliver
gptkb:Mrs._Tulliver
gptkb:Philip_Wakem
gptkb:Stephen_Guest
Uncle Philip
Aunt Gritty
Dr. Kenn
Mr. Deane
Mr. Stelling
Mr. Wakem
Mrs. Deane
Mrs. Stelling
The Deane family
The Tulliver family
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gptkbp:character_development
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Maggie's growth
Tom's struggles
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gptkbp:character_relationships
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Maggie and Philip's romance
Maggie and Stephen's affair
Maggie and Tom's bond
Maggie and her parents' expectations
Tom and Mr. Tulliver's conflict
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gptkbp:conflict
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Romantic entanglements
Sibling rivalry
personal vs societal expectations
Personal vs. societal expectations
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gptkbp:country
|
gptkb:United_Kingdom
|
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gptkbp:critical_reception
|
Well-received
well-received
|
|
gptkbp:cultural_impact
|
influenced feminist literature
considered a classic
Referenced in popular culture
Influenced feminist literature
Studied in literature courses
studied in literature courses
adapted into stage plays
inspired discussions on women's rights
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gptkbp:ended
|
Tragic
tragic
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gptkbp:first_edition
|
1860 edition
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gptkbp:followed_by
|
gptkb:Middlemarch
|
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gptkbp:genre
|
gptkb:Fiction
gptkb:novel
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Mill on the Floss
|
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gptkbp:influence
|
gptkb:Modernist_literature
gptkb:Victorian_literature
gptkb:literature
Feminist literature
|
|
gptkbp:influenced
|
gptkb:literary_criticism
modern novels
|
|
gptkbp:influenced_by
|
gptkb:Realism
gptkb:Victorian_literature
gptkb:Romanticism
|
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gptkbp:inspiration
|
Eliot's own life
|
|
gptkbp:inspired_by
|
Eliot's own life
George Eliot's own life
|
|
gptkbp:isbn
|
978-0141439620
978-0140434882
978-0140432470
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|
gptkbp:language
|
English
|
|
gptkbp:length
|
Approximately 400 pages
|
|
gptkbp:literary_devices
|
symbolism
irony
foreshadowing
|
|
gptkbp:literary_movement
|
gptkb:Victorian_era
|
|
gptkbp:main_character
|
gptkb:Tom_Tulliver
gptkb:Maggie_Tulliver
|
|
gptkbp:motif
|
gptkb:Love
gptkb:education
gptkb:Water
gptkb:water
gptkb:Education
love
|
|
gptkbp:narrative
|
omniscient
|
|
gptkbp:narrative_style
|
third-person
Third-person omniscient
Third-person narration
|
|
gptkbp:notable_quote
|
“ The only thing that makes life possible is permanent, intolerable uncertainty.”
“ It is never too late to be what you might have been.”
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|
gptkbp:page_count
|
400
|
|
gptkbp:protagonist
|
gptkb:Maggie_Tulliver
|
|
gptkbp:published
|
1860
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|
gptkbp:publisher
|
gptkb:William_Blackwood_and_Sons
|
|
gptkbp:setting
|
gptkb:England
Rural England
19th century England
St. Ogg's
|
|
gptkbp:start_location
|
St. Ogg's
|
|
gptkbp:symbolism
|
the river
The river
the mill
The mill
|
|
gptkbp:theme
|
gptkb:social_class
Family relationships
gender roles
Gender roles
family relationships
|
|
gptkbp:translated_into
|
Multiple languages
|
|
gptkbp:year
|
gptkb:19th_century
|
|
gptkbp:bfsParent
|
gptkb:Maggie_Tulliver
|
|
gptkbp:bfsLayer
|
4
|