The Merry Wives of Windsor

GPTKB entity

Statements (153)
Predicate Object
gptkbp:instance_of gptkb:opera
gptkb:play
gptkbp:bfsLayer 2
gptkbp:bfsParent gptkb:Educational_Institution
gptkbp:activities three acts
gptkbp:adaptation gptkb:musical
gptkb:opera
gptkb:The_Merry_Wives_of_Windsor_(film)
gptkb:film
The Merry Wives of Windsor (opera)
various adaptations in different languages
gptkbp:based_on The Merry Wives of Windsor by William Shakespeare
gptkbp:character gptkb:weapon
gptkb:Dr._Caius
gptkb:Fenton
gptkb:Mistress_Quickly
gptkb:Sir_Hugh_Evans
gptkb:Anne_Page
gptkb:Bardolph
Nym
gptkbp:character_relationships gptkb:Falstaff_and_the_Merry_Wives
Anne Page and her suitors
Dr. Caius and Anne Page
Falstaff and Mistress Ford
Falstaff and Mistress Page
Falstaff and the men of Windsor
Fenton and Anne Page
Mistress Ford and Mistress Page
Mistress Ford and her husband
Mistress Page and her husband
Slender and Anne Page
the Welshman and the Englishmen
the servants and their masters
Falstaff and Ford
Mistress Page and Mistress Ford
Page and Ford
gptkbp:composed_of gptkb:Salomon_Hermann_Mosenthal
gptkbp:composer gptkb:Otto_Nicolai
gptkbp:critical_reception generally positive
mixed reviews upon release
appreciated for its humor
celebrated for its character development
analyzed for its themes of gender roles
regarded as one of Shakespeare's lighter works
gptkbp:cultural_impact performed worldwide
inspired adaptations
influenced modern comedy
influenced modern comedies
studied in literature courses
featured in literary discussions
reference in popular culture
studied in schools
influenced other playwrights
adapted into musicals
inspired parodies and adaptations
inspired scholarly analysis
performed in various theaters worldwide
subject of critical essays
adapted into television productions
included in academic curricula
performed at Shakespeare festivals
gptkbp:famous_for its humor
its strong female characters
its clever dialogue
its exploration of social norms
gptkbp:features_character gptkb:Anne_Page
gptkbp:first_performance gptkb:Berlin
1602
gptkbp:genre gptkb:musical
comic opera
https://www.w3.org/2000/01/rdf-schema#label The Merry Wives of Windsor
gptkbp:influence gptkb:theatre
gptkb:literary_work
inspired adaptations in various media
inspired other operas
inspired other comedies
gptkbp:influenced subsequent comedies
gptkbp:influenced_by gptkb:Italian_Commedia_dell'arte
gptkbp:inspiration inspired literature
inspired adaptations in various media
inspired music
inspired theatrical performances
gptkbp:language gptkb:Native_American_tribe
Early Modern English
English
gptkbp:legacy influenced comedic storytelling
part of the Shakespearean canon
remains popular in modern theatre
gptkbp:length approximately 2 hours
gptkbp:main_character gptkb:Falstaff
gptkb:Mistress_Ford
gptkb:Mistress_Page
gptkbp:notable_character gptkb:Falstaff
gptkb:Mistress_Ford
gptkb:Mistress_Page
gptkbp:notable_performance gptkb:Berlin_State_Opera
gptkb:Royal_Opera_House
gptkb:Vienna_State_Opera
performed in modern adaptations
performed at the Globe Theatre
performed at the Royal Shakespeare Company
performed in educational settings
performed in festivals
performed in various adaptations
gptkbp:notable_quote “ I do suspect the lusty Moor hath leaped into my seat.”
“ I’ll be revenged on the whole pack of you.”
“ I am glad to see you.”
“ The better part of Valour, is Discretion.”
“ Why, then the world’s mine oyster.”
“ I do suspect there’s more to this than meets the eye.”
“ I am glad to see you well.”
“ I will not be a mistress to you.”
“ I’ll not be a mistress to a man.”
“ Why then the world’s mine oyster.”
“ I do suspect there’s more than truth in this.”
gptkbp:notable_recordings available on CD
gptkbp:notable_song ' Mein lieber Freund'
gptkbp:official_language Early Modern English
gptkbp:orchestration gptkb:orchestra
gptkbp:plot the importance of community
the theme of love
the theme of loyalty
the theme of revenge
the resolution of misunderstandings
the role of social class
Falstaff's attempts to woo two married women
the wives' schemes to outsmart Falstaff
Falstaff's schemes to woo two married women
the comedic elements of disguise
the theme of love and fidelity
the use of humor to address serious themes
the wives' clever retaliation
gptkbp:premiere 1849
gptkbp:published_by gptkb:First_Folio
1623
Quarto
gptkbp:published_year 1602
gptkbp:set_in gptkb:Windsor,_England
gptkbp:setting gptkb:Windsor,_England
Elizabethan England
gptkbp:spoken_in gptkb:Native_American_tribe
gptkbp:thematic_element gptkb:award
gptkb:military_operation
love
gptkbp:theme gptkb:award
gptkb:Community_Center
gptkb:military_operation
gptkbp:themes gptkb:award
gptkb:class
gptkb:revenge
gptkb:Community_Center
gptkb:military_operation
gptkbp:written_by gptkb:Educational_Institution