gptkbp:instance_of
|
gptkb:film
|
gptkbp:art_style
|
gptkb:Cedric_Gibbons
|
gptkbp:based_on
|
The Merry Widow (operetta)
|
gptkbp:box_office
|
$1.5 million
|
gptkbp:character
|
gptkb:Baron_Zeta
gptkb:Camille_de_Rosillon
gptkb:Hanna_Glawari
gptkb:Mademoiselle
Mireille
Duke of Glogau
Valencienne
Danilo Danilovitch
Baroness de Lussan
Countess Praskovya
Countess de Lussan
Mademoiselle de Boulanger
Monsieur de Chandon
Pavlitch
|
gptkbp:character_development
|
love triangle
|
gptkbp:choreography
|
Boris Volkoff
|
gptkbp:cinematography
|
gptkb:Charles_Lang
|
gptkbp:costume_design
|
gptkb:Helen_Rose
|
gptkbp:country
|
gptkb:United_States
|
gptkbp:critical_reception
|
mixed reviews
|
gptkbp:cultural_impact
|
popular in musical theatre
|
gptkbp:director
|
gptkb:Erich_Wolfgang_Korngold
|
gptkbp:distributor
|
gptkb:Metro-Goldwyn-Mayer
|
gptkbp:editing
|
Warren Low
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
gptkbp:film_score
|
orchestral
|
gptkbp:genre
|
gptkb:musical
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:2004
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Merry Widow (1952)
|
gptkbp:influenced_by
|
operetta tradition
|
gptkbp:language
|
English
|
gptkbp:makeup_artist
|
gptkb:William_J._Tuttle
|
gptkbp:music_by
|
gptkb:Franz_Lehár
|
gptkbp:narrative_style
|
gptkb:romantic_comedy
|
gptkbp:notable_song
|
gptkb:The_Merry_Widow_Waltz
|
gptkbp:premiere
|
gptkb:New_York_City
|
gptkbp:production_company
|
gptkb:Metro-Goldwyn-Mayer
|
gptkbp:release_country
|
gptkb:United_States
|
gptkbp:release_date
|
gptkb:1952
|
gptkbp:remake
|
The Merry Widow (1925 film)
|
gptkbp:runtime
|
90 minutes
|
gptkbp:screenplay_by
|
László Vadász
|
gptkbp:setting
|
gptkb:Paris
|
gptkbp:sound
|
gptkb:George_Groves
|
gptkbp:starring
|
gptkb:Fernando_Lamas
gptkb:Jeanne_Crain
gptkb:John_Carroll
gptkb:Ann_Blyth
|
gptkbp:themes
|
gptkb:marriage
gptkb:wealth
gptkb:social_class
gptkb:friendship
love
|
gptkbp:bfsParent
|
gptkb:Love_Me_Tonight
gptkb:Harry_Beaumont
|
gptkbp:bfsLayer
|
6
|