|
gptkbp:instance_of
|
gptkb:musical
gptkb:novel
gptkb:play
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Ethel_Waters
gptkb:Carson_Mc_Cullers
gptkb:The_Southern_Renaissance
gptkb:The_Southern_Gothic_genre
|
|
gptkbp:adaptation
|
gptkb:musical
gptkb:theatre
gptkb:1952
gptkb:radio_station
gptkb:play
gptkb:film
1950
critically acclaimed
commercially successful
|
|
gptkbp:adapted_into
|
gptkb:play
gptkb:film
|
|
gptkbp:audience
|
cult following
|
|
gptkbp:author
|
gptkb:Carson_Mc_Cullers
|
|
gptkbp:awards
|
gptkb:none
gptkb:Obie_Awards
Tony Award nominations
Drama Desk Award nominations
|
|
gptkbp:based_on
|
gptkb:novel
|
|
gptkbp:cast
|
gptkb:Ethel_Waters
gptkb:Mildred_Dunnock
gptkb:Robert_Mc_Queen
Tina Louise
|
|
gptkbp:character
|
gptkb:Berenice_Sadie_Brown
gptkb:John_Henry_West
Frankie's family
Frankie's father
Frankie's mother
|
|
gptkbp:character_arc
|
Frankie's search for belonging
|
|
gptkbp:character_development
|
gptkb:Berenice_Sadie_Brown
gptkb:Frankie_Addams
gptkb:John_Henry_West
Frankie's journey
Frankie's journey to adulthood
Frankie's journey to self-acceptance
Frankie's realization of her place in the world
Frankie's understanding of adulthood
|
|
gptkbp:character_relationships
|
gptkb:Frankie_and_John_Henry
Frankie and Berenice
Frankie and her brother
Frankie and her father
Frankie and her friends
Frankie and her mother
Frankie vs. family
Frankie vs. herself
Frankie vs. societal expectations
|
|
gptkbp:cinematography
|
gptkb:Franz_Planer
|
|
gptkbp:composer
|
gptkb:Robert_Ward
|
|
gptkbp:conflict
|
internal conflict
social conflict
Frankie's internal struggle
|
|
gptkbp:critical_reception
|
mixed reviews
positive reviews
well-received
|
|
gptkbp:cultural_impact
|
influenced popular culture
Southern Gothic genre
influenced later works
influenced other works
influenced film
influenced theater
studied in literature courses
performed in schools
discussed in academia
adapted into operas
inspired other works of fiction
|
|
gptkbp:cultural_significance
|
exploration of race relations
exploration of family dynamics
exploration of gender roles
exploration of adolescence
|
|
gptkbp:debut_year
|
1950
|
|
gptkbp:director
|
gptkb:Fred_Zinnemann
gptkb:John_Houseman
|
|
gptkbp:filmography
|
gptkb:1952
gptkb:Julie_Harris
|
|
gptkbp:genre
|
gptkb:Southern_Gothic
gptkb:Dimitri_Tiomkin
gptkb:High_School
|
|
gptkbp:has_gameplay_element
|
the house
the train station
the wedding dress
|
|
gptkbp:head_coach
|
gptkb:Author
famous author
Southern writer
|
|
gptkbp:historical_context
|
post-World War II America
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Member of the Wedding
|
|
gptkbp:influenced
|
gptkb:musician
gptkb:American_musical_theater
gptkb:literary_work
gptkb:film
American literature
Southern literature
theater directors
musical theater composers
subsequent Southern writers
|
|
gptkbp:influenced_artists
|
gptkb:Toni_Morrison
gptkb:Alice_Walker
gptkb:Zora_Neale_Hurston
Carson Mc Cullers' bibliography
|
|
gptkbp:influenced_by
|
gptkb:church
American Southern culture
|
|
gptkbp:influences
|
gptkb:architect
American literature
Southern literature
|
|
gptkbp:inspiration
|
personal experiences
Mc Cullers' own experiences
|
|
gptkbp:inspired
|
gptkb:theatre
|
|
gptkbp:is_critical_for
|
explores themes of alienation
|
|
gptkbp:is_motivated_by
|
desire for connection
|
|
gptkbp:isbn
|
978-0-06-093482-2
|
|
gptkbp:language
|
English
|
|
gptkbp:lyricist
|
gptkb:T._Edward_H._Smith
|
|
gptkbp:main_character
|
gptkb:Frankie_Addams
|
|
gptkbp:motif
|
gptkb:Community_Center
gptkb:wedding
gptkb:family
weddings
isolation
coming of age
childhood
transition
family dynamics
|
|
gptkbp:narrative_style
|
first-person
stream of consciousness
limited omniscient
|
|
gptkbp:notable_character
|
gptkb:Berenice_Sadie_Brown
gptkb:John_Henry_West
|
|
gptkbp:notable_games
|
gptkb:Carson_Mc_Cullers
|
|
gptkbp:notable_production
|
gptkb:musical
gptkb:Off-Broadway
regional theater
1950 Broadway production
|
|
gptkbp:notable_quote
|
" I am not a member of the wedding."
" I am not a child anymore."
" The wedding is a big event."
|
|
gptkbp:notable_song
|
gptkb:The_Member_of_the_Wedding
|
|
gptkbp:notable_work
|
gptkb:Carson_Mc_Cullers
|
|
gptkbp:official_language
|
English
|
|
gptkbp:page_count
|
144
|
|
gptkbp:performance
|
gptkb:theatre
performed on Broadway
|
|
gptkbp:premiere
|
1950
|
|
gptkbp:premiere_date
|
1950
|
|
gptkbp:premiered_on
|
1950
|
|
gptkbp:produced_by
|
gptkb:opera
|
|
gptkbp:published_by
|
gptkb:1952
1946
|
|
gptkbp:publisher
|
gptkb:Houghton_Mifflin
gptkb:New_York
|
|
gptkbp:release_year
|
gptkb:1952
|
|
gptkbp:reunion
|
gptkb:1982
gptkb:2000
gptkb:2011
|
|
gptkbp:setting
|
gptkb:Borough
gptkb:Georgia
gptkb:Southern_United_States
gptkb:Columbus,_Georgia
mid-20th century
|
|
gptkbp:significance
|
explores gender roles
explores themes of family
examines societal expectations
explores themes of loneliness
depicts loneliness
explores adolescence
explores themes of adolescence
|
|
gptkbp:starring
|
gptkb:Ethel_Waters
|
|
gptkbp:style
|
lyrical
dramatic
|
|
gptkbp:symbolism
|
gptkb:wedding
childhood
transition
the train
Frankie's hat
wedding as a metaphor
wedding as a rite of passage
|
|
gptkbp:thematic_element
|
search for identity
importance of community
impact of war on youth
|
|
gptkbp:themes
|
gptkb:TV_series
isolation
growing up
belonging
longing
transition
|