|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:box_office
|
$463.5 million
|
|
gptkbp:budget
|
$63 million
|
|
gptkbp:cinematography_by
|
gptkb:Bill_Pope
|
|
gptkbp:directed_by
|
gptkb:Lana_Wachowski
gptkb:Lilly_Wachowski
|
|
gptkbp:edited_by
|
gptkb:Zach_Staenberg
|
|
gptkbp:features
|
gptkb:virtual_reality
|
|
gptkbp:features_character
|
gptkb:Neo
gptkb:Trinity
gptkb:Morpheus
gptkb:Agent_Smith
|
|
gptkbp:film_technique
|
gptkb:martial_arts
gptkb:visual_effects
gptkb:dialogue
cultural references
high contrast
symbolism
computer-generated imagery
action choreography
practical effects
wire fu
bullet time
iconic imagery
slow motion
dynamic camera angles
sci-fi elements
stylized action
choreographed fight scenes
green tint
|
|
gptkbp:has_prequel
|
gptkb:The_Matrix:_Path_of_Neo
gptkb:The_Animatrix
|
|
gptkbp:has_sequel
|
gptkb:The_Matrix_Reloaded
gptkb:The_Matrix_Revolutions
|
|
gptkbp:has_theme
|
the nature of reality
control vs. freedom
human vs. machine
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Matrix (1999)
|
|
gptkbp:influenced_by
|
gptkb:philosophy
cyberpunk genre
|
|
gptkbp:music_by
|
gptkb:Don_Davis
|
|
gptkbp:produced_by
|
gptkb:Joel_Silver
|
|
gptkbp:released_on
|
March 31, 1999
|
|
gptkbp:set_in
|
a dystopian future
|
|
gptkbp:starring
|
gptkb:Keanu_Reeves
gptkb:Carrie-Anne_Moss
gptkb:Hugo_Weaving
gptkb:Laurence_Fishburne
|
|
gptkbp:won_award
|
gptkb:Academy_Award_for_Best_Film_Editing
gptkb:Academy_Award_for_Best_Sound_Effects_Editing
gptkb:Academy_Award_for_Best_Sound
gptkb:Academy_Award_for_Best_Visual_Effects
|
|
gptkbp:written_by
|
gptkb:Lana_Wachowski
gptkb:Lilly_Wachowski
|
|
gptkbp:bfsParent
|
gptkb:Alice_Johnson
gptkb:Oracle
gptkb:Trinity
gptkb:Morpheus
|
|
gptkbp:bfsLayer
|
4
|