|
gptkbp:instance_of
|
gptkb:play
|
|
gptkbp:adaptation
|
gptkb:Threepenny_Opera
|
|
gptkbp:adapted_into
|
gptkb:The_Beggar's_Opera
gptkb:opera
gptkb:film
|
|
gptkbp:based_on
|
gptkb:The_Beggar's_Opera
|
|
gptkbp:character_relationships
|
Macheath and Peachum
Polly and Macheath
Polly and Peachum
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
influenced modern musicals
|
|
gptkbp:director
|
gptkb:Bertolt_Brecht
gptkb:Robert_Wilson
gptkb:Peter_Brook
|
|
gptkbp:features_character
|
gptkb:Polly_Peachum
gptkb:Macheath
|
|
gptkbp:filming_location
|
gptkb:Berlin
|
|
gptkbp:first_performance
|
1928
|
|
gptkbp:genre
|
gptkb:musical
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Marriage of Polly and Macheath
|
|
gptkbp:influenced
|
gptkb:theatre_of_the_absurd
postmodern theatre
|
|
gptkbp:influenced_by
|
gptkb:The_Beggar's_Opera
Brechtian techniques
socialist ideas
|
|
gptkbp:language
|
gptkb:Native_American_tribe
|
|
gptkbp:notable_character
|
gptkb:John_Malkovich
gptkb:Hannah_Schygulla
gptkb:Anna_Calder-Marshall
gptkb:Rufus_Sewell
gptkb:Derek_Jacobi
|
|
gptkbp:notable_production
|
1980 revival
2006 revival
2018 revival
|
|
gptkbp:notable_song
|
gptkb:Mack_the_Knife
|
|
gptkbp:official_language
|
gptkb:Native_American_tribe
|
|
gptkbp:performed_by
|
theatre festivals
international venues
|
|
gptkbp:published_by
|
1928
|
|
gptkbp:set_in
|
gptkb:Borough
|
|
gptkbp:style
|
epic theatre
|
|
gptkbp:themes
|
gptkb:historical_event
gptkb:political_movement
class struggle
morality
capitalism
love and betrayal
crime and punishment
|
|
gptkbp:written_by
|
gptkb:Bertolt_Brecht
|
|
gptkbp:bfsParent
|
gptkb:The_Beggar's_Opera_(1980)
|
|
gptkbp:bfsLayer
|
6
|