|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:theatrical_performances
|
|
gptkbp:adapted_into
|
gptkb:television_series
gptkb:film
|
|
gptkbp:author
|
gptkb:Simone_de_Beauvoir
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:character_development
|
gptkb:complex
|
|
gptkbp:contains
|
political commentary
philosophical dialogues
historical references
|
|
gptkbp:cultural_impact
|
gptkb:significant
|
|
gptkbp:depicts
|
social issues
personal relationships
intellectual life
|
|
gptkbp:discusses
|
gptkb:identity
freedom
responsibility
|
|
gptkbp:explores
|
gptkb:cultural_identity
existential crisis
human condition
|
|
gptkbp:features
|
multiple perspectives
moral dilemmas
interpersonal conflict
|
|
gptkbp:genre
|
gptkb:philosophy
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Mandarins
|
|
gptkbp:influence
|
gptkb:feminism
existential philosophy
|
|
gptkbp:influenced
|
modern literature
feminist literature
post-war literature
|
|
gptkbp:inspired
|
literary discussions
|
|
gptkbp:is_acclaimed_for
|
yes
|
|
gptkbp:is_available_in
|
audiobook format
ebook format
|
|
gptkbp:is_referenced_in
|
academic papers
|
|
gptkbp:is_regarded_as
|
a classic
|
|
gptkbp:is_studied_in
|
literature courses
|
|
gptkbp:isbn
|
978-2070368224
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:main_character
|
gptkb:Nadia
gptkb:Oliveira
Henri Perron
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:notable_work
|
gptkb:Simone_de_Beauvoir
|
|
gptkbp:page_count
|
400
|
|
gptkbp:published
|
gptkb:1954
|
|
gptkbp:published_by
|
gptkb:Éditions_Gallimard
|
|
gptkbp:published_in
|
gptkb:France
|
|
gptkbp:setting
|
post-World War II France
|
|
gptkbp:style
|
lyrical
introspective
reflective
|
|
gptkbp:theme
|
gptkb:existentialism
gptkb:politics
love
|
|
gptkbp:translated_into
|
gptkb:Spanish
gptkb:German
English
|
|
gptkbp:bfsParent
|
gptkb:Simone_de_Beauvoir
|
|
gptkbp:bfsLayer
|
4
|