gptkbp:instance_of
|
gptkb:film
|
gptkbp:box_office
|
$1.5 million
|
gptkbp:character
|
gptkb:The_Outlaws
gptkb:Duke_Mc_Call
gptkb:Link_Jones
gptkb:Sam_Beasley
Ella Mc Carty
|
gptkbp:character_development
|
Focuses on redemption
|
gptkbp:cinematography_by
|
gptkb:John_Alton
|
gptkbp:country
|
gptkb:United_States
|
gptkbp:critical_reception
|
Mixed reviews
|
gptkbp:cultural_impact
|
Influential in Western genre
|
gptkbp:directed_by
|
gptkb:Anthony_Mann
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
gptkbp:edited_by
|
gptkb:George_R._Rohrer
|
gptkbp:film_score
|
Orchestral
|
gptkbp:filming_location
|
gptkb:California
|
gptkbp:genre
|
Western
|
gptkbp:home_media_release
|
Released on DVD
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Man of the West
|
gptkbp:influenced_by
|
gptkb:folklore
gptkb:Historical_events
gptkb:sound_design
gptkb:Character_motivations
Cultural history
Conflict resolution
Cultural narratives
Artistic movements
Moral dilemmas
Philosophical questions
Cinematic techniques
Classic Westerns
Cinematic history
Costume design
Production design
Psychological themes
Genre conventions
Hero's journey
Audience expectations
Societal issues
Editing techniques
Cinematography styles
Character archetypes
Film movements
Film Noir elements
Literary Westerns
Mythic storytelling
|
gptkbp:inspired
|
Later Western films
|
gptkbp:language
|
English
|
gptkbp:music_by
|
gptkb:Hugo_Friedhofer
|
gptkbp:notable_scene
|
Train robbery scene
|
gptkbp:plot
|
A man returns to his hometown to find it overrun by outlaws.
|
gptkbp:produced_by
|
gptkb:Robert_Arthur
|
gptkbp:release_date
|
October 1958
|
gptkbp:released_in
|
gptkb:1958
|
gptkbp:remake
|
gptkb:None
|
gptkbp:runtime
|
100 minutes
|
gptkbp:screenplay_by
|
gptkb:Borden_Chase
|
gptkbp:setting
|
gptkb:American_West
|
gptkbp:soundtrack
|
Released on vinyl
|
gptkbp:starring
|
gptkb:Gary_Cooper
gptkb:Julie_London
gptkb:Lee_J._Cobb
|
gptkbp:theme
|
Isolation and survival
|
gptkbp:bfsParent
|
gptkb:Gary_Cooper
|
gptkbp:bfsLayer
|
4
|