|
gptkbp:instanceOf
|
film
|
|
gptkbp:aspectRatio
|
1.85:1
|
|
gptkbp:audience
|
PG
|
|
gptkbp:awards
|
Nominated_for_Best_Director_at_Cannes
|
|
gptkbp:boxOffice
|
$1 million
|
|
gptkbp:character
|
gptkb:Private_Jones
Captain_John
Lieutenant_Smith
|
|
gptkbp:characterDevelopment
|
Complex characters
|
|
gptkbp:cinematographyBy
|
gptkb:Ousmane_Sembène
|
|
gptkbp:colors
|
Color
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:criticalReception
|
Mixed reviews
|
|
gptkbp:culturalImpact
|
Commentary on war
|
|
gptkbp:directedBy
|
gptkb:John_Boorman
|
|
gptkbp:distributor
|
20th Century Fox
|
|
gptkbp:editedBy
|
gptkb:John_Boorman
|
|
gptkbp:filmFestival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:filmingLocation
|
gptkb:United_Kingdom
|
|
gptkbp:filmography
|
gptkb:London
Mixed reviews
100 minutes
Feature film
Orchestral
Cult classic
|
|
gptkbp:genre
|
drama
|
|
gptkbp:historicalPeriod
|
Moderately accurate
|
|
gptkbp:homeMediaRelease
|
2000-01-01
DVD
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Man Who Won the War
|
|
gptkbp:influenced
|
Anti-war films
|
|
gptkbp:influencedBy
|
gptkb:World_War_I
|
|
gptkbp:influences
|
Literature on war
|
|
gptkbp:inspiredBy
|
real events
|
|
gptkbp:language
|
English
Witty_and_poignant
|
|
gptkbp:musicBy
|
gptkb:Laurie_Johnson
|
|
gptkbp:narrativeStyle
|
Non-linear
|
|
gptkbp:plot
|
A_soldier's_experiences_during_World_War_I.
|
|
gptkbp:producedBy
|
gptkb:John_Boorman
|
|
gptkbp:productionCompany
|
20th Century Fox
|
|
gptkbp:released
|
gptkb:United_Kingdom
|
|
gptkbp:releaseDate
|
1970-01-01
|
|
gptkbp:releasedIn
|
1970
|
|
gptkbp:releaseFormat
|
theatrical
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplayBy
|
gptkb:John_Boorman
|
|
gptkbp:setting
|
World_War_I_battlefield
|
|
gptkbp:soundtrack
|
Mono
|
|
gptkbp:starring
|
gptkb:Richard_Harris
gptkb:John_Hurt
gptkb:Jack_Watson
|
|
gptkbp:theme
|
The futility of war
|
|
gptkbp:viewingPlatform
|
Cinema
|