|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
6
|
|
gptkbp:bfsParent
|
gptkb:Modern_film_noir
|
|
gptkbp:awards
|
Academy Award nomination for Best Cinematography
BAFTA nomination for Best Cinematography
|
|
gptkbp:box_office
|
$16.5 million
|
|
gptkbp:budget
|
$20 million
|
|
gptkbp:character
|
gptkb:Thelma
gptkb:Frank
gptkb:Big_Dave_Brewster
gptkb:Doris_Crane
gptkb:Ed_Crane
|
|
gptkbp:cinematography
|
gptkb:Roger_Deakins
|
|
gptkbp:color
|
black-and-white
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
cult following
influenced filmmakers
|
|
gptkbp:directed_by
|
gptkb:Joel_Coen
|
|
gptkbp:distributor
|
gptkb:Focus_Features
|
|
gptkbp:filming_location
|
gptkb:California
|
|
gptkbp:filmography
|
gptkb:Roderick_Jaynes
|
|
gptkbp:genre
|
neo-noir
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Man Who Wasn’t There
|
|
gptkbp:influences
|
gptkb:Double_Indemnity
gptkb:The_Maltese_Falcon
gptkb:film
|
|
gptkbp:inspiration
|
gptkb:anthology
real-life events
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Carter_Burwell
|
|
gptkbp:narrative_style
|
black-and-white
|
|
gptkbp:plot
|
A barber blackmails his wife's lover.
|
|
gptkbp:production_company
|
gptkb:Gramercy_Pictures
|
|
gptkbp:release_date
|
November 16, 2001
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:released
|
gptkb:2001
|
|
gptkbp:runtime
|
116 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Joel_Coen
gptkb:Ethan_Coen
|
|
gptkbp:set_in
|
gptkb:California
|
|
gptkbp:setting
|
1940s
|
|
gptkbp:starring
|
gptkb:Billy_Bob_Thornton
gptkb:James_Gandolfini
gptkb:Jon_Polito
gptkb:Frances_Mc_Dormand
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:existentialism
morality
|