|
gptkbp:instance_of
|
gptkb:short_story
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:radio_station
|
|
gptkbp:author
|
gptkb:H._G._Wells
|
|
gptkbp:award
|
Academy Award nomination for Best Cinematography
BAFTA nomination for Best Cinematography
|
|
gptkbp:awards
|
Academy Award nomination for Best Cinematography
BAFTA nomination for Best Cinematography
|
|
gptkbp:based_on
|
original screenplay by Joel Coen and Ethan Coen
|
|
gptkbp:box_office
|
$7.5 million
$17 million
$5.5 million
$8.1 million
$7.1 million
|
|
gptkbp:budget
|
$20 million
$7 million
|
|
gptkbp:character
|
gptkb:Birdy_Abundas
gptkb:Theodora
gptkb:Detective
gptkb:The_Client
gptkb:The_Waitress
gptkb:The_Detective
gptkb:Frank
gptkb:Big_Dave_Brewster
gptkb:Birdy
gptkb:Doris_Crane
gptkb:Ed_Crane
The Lawyer
The Police Chief
|
|
gptkbp:cinematography
|
gptkb:Roger_Deakins
|
|
gptkbp:cinematography_by
|
gptkb:Roger_Deakins
|
|
gptkbp:color
|
Black and white
black-and-white
|
|
gptkbp:color_palette
|
black and white
monochrome
|
|
gptkbp:conflict
|
existential crisis
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
Mixed reviews
generally positive
mixed reviews
positive reviews
generally positive reviews
|
|
gptkbp:directed_by
|
gptkb:Joel_Coen
|
|
gptkbp:director
|
gptkb:Joel_Coen
|
|
gptkbp:distributor
|
gptkb:Focus_Features
gptkb:Gramercy_Pictures
|
|
gptkbp:edited_by
|
gptkb:Roderick_Jaynes
Tricia Cooke
|
|
gptkbp:editing
|
Tricia Cooke
|
|
gptkbp:film_editing
|
gptkb:Roderick_Jaynes
Tricia Cooke
|
|
gptkbp:film_festival
|
gptkb:AFI_Fest
gptkb:London_Film_Festival
gptkb:Cannes_Film_Festival
gptkb:Toronto_International_Film_Festival
gptkb:New_York_Film_Festival
gptkb:San_Francisco_International_Film_Festival
|
|
gptkbp:film_score
|
gptkb:Carter_Burwell
|
|
gptkbp:film_technique
|
dark themes
high contrast
narrative complexity
symbolic imagery
black-and-white
character-driven story
dream sequences
voice-over narration
minimalist dialogue
philosophical undertones
subtle humor
period-accurate costumes
emphasis on silence
slow pacing
stylized lighting
mood-driven atmosphere
period-accurate set design
|
|
gptkbp:filming_location
|
gptkb:California
gptkb:Santa_Rosa,_California
gptkb:Sonoma_County,_California
gptkb:Santa_Rosa
|
|
gptkbp:genre
|
gptkb:mystery
gptkb:science_fiction
gptkb:drama
gptkb:crime
neo-noir
|
|
gptkbp:has_character
|
gptkb:Thelma
gptkb:Frank
gptkb:Big_Dave_Brewster
gptkb:Doris_Crane
gptkb:Ed_Crane
|
|
gptkbp:has_setting
|
1940s
|
|
gptkbp:has_theme
|
gptkb:betrayal
gptkb:existentialism
gptkb:moral_ambiguity
gptkb:identity
gptkb:crime
|
|
gptkbp:home_media_release
|
gptkb:2002
gptkb:2008
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Man Who Wasn't There
|
|
gptkbp:influence
|
modern literature
|
|
gptkbp:influenced
|
later films
film noir genre
Coen Brothers' later works
later neo-noir films
|
|
gptkbp:influenced_by
|
gptkb:Chinatown
gptkb:Double_Indemnity
gptkb:The_Postman_Always_Rings_Twice
gptkb:The_Maltese_Falcon
gptkb:The_Third_Man
hardboiled fiction
film noir
|
|
gptkbp:influences
|
gptkb:Chinatown
gptkb:Double_Indemnity
gptkb:The_Postman_Always_Rings_Twice
gptkb:The_Maltese_Falcon
film noir
|
|
gptkbp:inspiration
|
gptkb:Film_Noir
philosophical questions
The Man Who Wasn't There (short story)
|
|
gptkbp:language
|
English
|
|
gptkbp:length
|
gptkb:short_story
|
|
gptkbp:main_character
|
gptkb:Ed_Crane
|
|
gptkbp:music_by
|
gptkb:Carter_Burwell
|
|
gptkbp:narrative_style
|
first-person
black-and-white
voice-over narration
|
|
gptkbp:nominated_for
|
gptkb:Academy_Award_for_Best_Actor
gptkb:Academy_Award_for_Best_Cinematography
gptkb:Academy_Award_for_Best_Original_Screenplay
|
|
gptkbp:plot
|
A barber blackmails his wife's lover.
A barber gets involved in a blackmail scheme.
A barber becomes embroiled in a blackmail scheme.
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:premiered_on
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:production_company
|
gptkb:Gramercy_Pictures
|
|
gptkbp:protagonist
|
an unnamed man
|
|
gptkbp:published_in
|
gptkb:The_Strand_Magazine
1898
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:received
|
positive reviews
|
|
gptkbp:release_country
|
gptkb:United_States
|
|
gptkbp:release_date
|
gptkb:2001
November 16, 2001
November 18, 1983
|
|
gptkbp:release_format
|
gptkb:DVD
gptkb:Blu-ray
Theatrical
theatrical
theatrical release
|
|
gptkbp:release_year
|
gptkb:1983
|
|
gptkbp:released_in
|
gptkb:2001
|
|
gptkbp:runtime
|
116 minutes
|
|
gptkbp:screenplay
|
gptkb:Joel_Coen
gptkb:Ethan_Coen
|
|
gptkbp:screenplay_by
|
gptkb:Joel_Coen
gptkb:Ethan_Coen
|
|
gptkbp:set_in
|
gptkb:California
|
|
gptkbp:setting
|
gptkb:California
gptkb:England
|
|
gptkbp:soundtrack
|
gptkb:Carter_Burwell
|
|
gptkbp:starring
|
gptkb:Scarlett_Johansson
gptkb:Billy_Bob_Thornton
gptkb:Jon_Turturro
gptkb:James_Gandolfini
gptkb:Jon_Polito
gptkb:Frances_Mc_Dormand
|
|
gptkbp:theme
|
gptkb:existentialism
gptkb:moral_ambiguity
gptkb:identity
alienation
morality
|
|
gptkbp:themes
|
gptkb:Isolation
gptkb:existentialism
gptkb:Deception
gptkb:identity
Existentialism
Moral ambiguity
morality
|
|
gptkbp:viewing_format
|
gptkb:DVD
gptkb:Blu-ray
|
|
gptkbp:writer
|
gptkb:Joel_Coen
gptkb:Ethan_Coen
|
|
gptkbp:bfsParent
|
gptkb:Philip_K._Dick
|
|
gptkbp:bfsLayer
|
3
|