|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:musical
gptkb:graphic_novel
gptkb:film
gptkb:stage_play
The Man Who Laughs (musical)
The Man Who Laughs (novel)
|
|
gptkbp:adaptation_year
|
1928
1939
|
|
gptkbp:art_style
|
gptkb:Charles_D._Hall
gptkb:Abstract_Expressionism
|
|
gptkbp:author
|
gptkb:Victor_Hugo
|
|
gptkbp:based_on
|
novel by Victor Hugo
The Man Who Laughs (novel)
|
|
gptkbp:box_office
|
gptkb:unknown
$1.2 million
|
|
gptkbp:censorship
|
none reported
|
|
gptkbp:character
|
gptkb:Ursus
gptkb:Dea
gptkb:Gwynplaine
self-discovery
Joaquin
acceptance by society
Duke of Cloches
|
|
gptkbp:character_arc
|
redemption
Gwynplaine's journey
|
|
gptkbp:character_development
|
gptkb:tragic_figure
|
|
gptkbp:character_motivation
|
love
|
|
gptkbp:character_relationships
|
naivety
Gwynplaine and Barkilphedro
Gwynplaine and Dea
|
|
gptkbp:character_traits
|
disfigurement
|
|
gptkbp:character's_fate
|
tragic ending
|
|
gptkbp:cinematography
|
gptkb:Karl_Freund
Rémy Chevrin
|
|
gptkbp:cinematography_by
|
black and white
|
|
gptkbp:conflict
|
class struggle
|
|
gptkbp:country
|
gptkb:France
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
inspired adaptations
influenced later horror films
inspired stage adaptations
inspired graphic novels
inspired visual art
influenced horror films
inspired comics
|
|
gptkbp:cultural_references
|
The Joker's origin
|
|
gptkbp:cultural_significance
|
iconic imagery
|
|
gptkbp:director
|
gptkb:Jean-Pierre_Améris
gptkb:Paul_Leni
|
|
gptkbp:distributor
|
gptkb:Cinéart
|
|
gptkbp:editing
|
gptkb:Marie-Josèphe_Yoyotte
|
|
gptkbp:film
|
gptkb:Conrad_Veidt
|
|
gptkbp:film_awards
|
gptkb:none
|
|
gptkbp:film_editing
|
gptkb:Edward_M._Mc_Dermott
|
|
gptkbp:film_festival
|
gptkb:none
Cannes 2012
|
|
gptkbp:film_length
|
105 minutes
|
|
gptkbp:film_score
|
orchestral
|
|
gptkbp:film_technique
|
expressionism
|
|
gptkbp:genre
|
gptkb:historical_texts
gptkb:drama
gptkb:horror
|
|
gptkbp:historical_context
|
gptkb:Victorian_England
|
|
gptkbp:historical_significance
|
early example of horror cinema
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Man Who Laughs
|
|
gptkbp:influence_on
|
gptkb:horror_genre
|
|
gptkbp:influenced
|
gptkb:The_Joker
gptkb:The_Cabinet_of_Dr._Caligari
graphic novels
modern horror films
|
|
gptkbp:influenced_by
|
gptkb:Victor_Hugo
gptkb:Romanticism
|
|
gptkbp:influences
|
German cinema
|
|
gptkbp:inspiration
|
Victor Hugo's life
Gwynplaine's face
The Joker (character)
|
|
gptkbp:language
|
gptkb:French
gptkb:film
|
|
gptkbp:legacy
|
gptkb:cultural_icon
cult classic status
|
|
gptkbp:literary_devices
|
irony
|
|
gptkbp:literary_movement
|
gptkb:French_Romanticism
|
|
gptkbp:literary_significance
|
exploration of beauty
|
|
gptkbp:main_character
|
gptkb:Gwynplaine
|
|
gptkbp:makeup_artist
|
gptkb:Jack_Pierce
|
|
gptkbp:moral
|
acceptance of fate
|
|
gptkbp:music_by
|
gptkb:Hans_Erdmann
|
|
gptkbp:music_composer
|
gptkb:Alexandre_Desplat
|
|
gptkbp:narrative_style
|
third-person
flashbacks
non-linear
|
|
gptkbp:notable_quote
|
' The man who laughs'.
|
|
gptkbp:notable_work
|
gptkb:Les_Misérables
|
|
gptkbp:plot
|
A disfigured man seeks acceptance in a cruel world.
|
|
gptkbp:plot_twist
|
identity revelation
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:production_company
|
gptkb:Universal_Pictures
gptkb:Les_Films_du_Lendemain
|
|
gptkbp:protagonist
|
gptkb:Dea
|
|
gptkbp:published
|
1869
|
|
gptkbp:published_by
|
gptkb:Léon_Vanier
|
|
gptkbp:published_in
|
gptkb:Le_Temps
|
|
gptkbp:release_country
|
gptkb:United_States
|
|
gptkbp:release_date
|
1928
May 2012
|
|
gptkbp:release_format
|
black-and-white
|
|
gptkbp:release_year
|
gptkb:2012
|
|
gptkbp:remake
|
The Man Who Laughs (2012)
|
|
gptkbp:runtime
|
105 minutes
110 minutes
|
|
gptkbp:screenings
|
international festivals
|
|
gptkbp:screenplay
|
gptkb:Jean-Pierre_Améris
|
|
gptkbp:screenplay_by
|
gptkb:J._Grubb_Alexander
|
|
gptkbp:setting
|
gptkb:England
19th century England
|
|
gptkbp:starring
|
gptkb:Marc-André_Grondin
gptkb:Cesare_Gravina
gptkb:Jean-Pierre_Darroussin
gptkb:Conrad_Veidt
gptkb:Mary_Philbin
Christa Theret
Gwynne Mc Elveen
|
|
gptkbp:symbolism
|
gptkb:mask
smile
pain
laughter
|
|
gptkbp:symbolizes
|
human suffering
|
|
gptkbp:theme
|
gptkb:identity
gptkb:tragedy
love
social injustice
societal rejection
disfigurement
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:existentialism
gptkb:identity
love
suffering
redemption
|
|
gptkbp:translated_into
|
English
|
|
gptkbp:year
|
17th century
|
|
gptkbp:bfsParent
|
gptkb:Joker
gptkb:V_for_Vendetta
gptkb:Victor_Hugo
gptkb:BTOB
|
|
gptkbp:bfsLayer
|
4
|