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gptkbp:instance_of
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gptkb:film
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|
gptkbp:awards
|
gptkb:0
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gptkbp:box_office
|
$20 million
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gptkbp:budget
|
gptkb:$5_million
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gptkbp:character_motivation
|
Parental love and protection
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|
gptkbp:cinematography_by
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gptkb:Robert_Burks
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gptkbp:country
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gptkb:United_States
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gptkbp:critical_reception
|
Generally positive reviews
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gptkbp:cultural_impact
|
Considered a classic thriller
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gptkbp:directed_by
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gptkb:Alfred_Hitchcock
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gptkbp:distributor
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gptkb:Paramount_Pictures
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gptkbp:doris_day_character
|
Joan Drummond
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gptkbp:edited_by
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gptkb:George_Tomasini
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|
gptkbp:film_awards
|
Nominated for Golden Globe
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|
gptkbp:film_festival
|
Screened at Cannes Film Festival
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gptkbp:filming_location
|
gptkb:London
gptkb:Morocco
gptkb:New_York_City
|
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gptkbp:genre
|
gptkb:Thriller
|
|
gptkbp:hitchcock_style
|
Suspense and tension building
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|
https://www.w3.org/2000/01/rdf-schema#label
|
The Man Who Knew Too Much (1967)
|
|
gptkbp:influenced
|
Modern suspense films
Hitchcock's later works
|
|
gptkbp:influenced_by
|
gptkb:The_Man_Who_Knew_Too_Much_(1934)
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|
gptkbp:inspired
|
Various thrillers
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gptkbp:james_stewart_character
|
gptkb:Dr._Ben_Mc_Kenna
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|
gptkbp:language
|
English
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gptkbp:music_by
|
gptkb:Bernard_Herrmann
|
|
gptkbp:notable_scene
|
The concert scene
The climax in the opera house
The kidnapping scene
|
|
gptkbp:plot
|
A couple becomes embroiled in an international plot after their son is kidnapped.
|
|
gptkbp:produced_by
|
gptkb:Alfred_Hitchcock
|
|
gptkbp:release_date
|
October 25, 1967
|
|
gptkbp:released
|
gptkb:1967
|
|
gptkbp:remake
|
gptkb:The_Man_Who_Knew_Too_Much_(1934)
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|
gptkbp:runtime
|
120 minutes
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|
gptkbp:screenplay_by
|
gptkb:John_Michael_Hayes
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gptkbp:soundtrack
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Includes ' Que Sera, Sera' by Doris Day
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|
gptkbp:starring
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gptkb:Doris_Day
gptkb:James_M._Stewart
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|
gptkbp:theme
|
gptkb:conspiracy
Family bonds
Fear of the unknown
|
|
gptkbp:won_award
|
gptkb:1
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gptkbp:bfsParent
|
gptkb:Derek_Boshier
|
|
gptkbp:bfsLayer
|
5
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