|
gptkbp:instanceOf
|
film
|
|
gptkbp:boxOffice
|
$2.5 million
|
|
gptkbp:budget
|
$18 million
|
|
gptkbp:cinematographyBy
|
Nicola Pecorini
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|
gptkbp:country
|
gptkb:France
gptkb:Spain
gptkb:United_Kingdom
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|
gptkbp:criticalReception
|
gptkb:The_Guardian
gptkb:Roger_Ebert
gptkb:The_Hollywood_Reporter
gptkb:IndieWire
Variety
mixed reviews
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|
gptkbp:director
|
gptkb:Terry_Gilliam
|
|
gptkbp:editor
|
Pablo_Blanco
|
|
gptkbp:filmFestival
|
gptkb:Cannes_2018
|
|
gptkbp:filmingLocation
|
gptkb:France
gptkb:Portugal
gptkb:Spain
|
|
gptkbp:filmography
|
surrealism
dark comedy
fantasy adventure
|
|
gptkbp:genre
|
fantasy
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Man Who Killed Don Quixote
|
|
gptkbp:influences
|
Cervantes'_novel
Gilliam's_previous_works
|
|
gptkbp:inspiration
|
Don_Quixote_by_Miguel_de_Cervantes
|
|
gptkbp:language
|
English
|
|
gptkbp:lastProduced
|
1998
|
|
gptkbp:notableFilm
|
gptkb:Jason_Watkins
gptkb:David_Thewlis
gptkb:Olga_Kurylenko
gptkb:Joaquin_de_Almeida
Stellan Skarsgård
|
|
gptkbp:plot
|
A disillusioned filmmaker is drawn into a world of fantasy.
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|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:productionCompany
|
gptkb:Amazon_Studios
budget issues
multiple delays
casting changes
|
|
gptkbp:releaseDate
|
April 10, 2018
|
|
gptkbp:releaseYear
|
2018
|
|
gptkbp:runtime
|
132 minutes
|
|
gptkbp:screenplayBy
|
gptkb:Terry_Gilliam
|
|
gptkbp:soundtrack
|
gptkb:George_Fenton
|
|
gptkbp:starring
|
gptkb:Adam_Driver
gptkb:Jonathan_Pryce
|
|
gptkbp:theme
|
friendship
identity
madness
redemption
disillusionment
illusion vs reality
the nature of storytelling
dreams vs ambitions
|