|
gptkbp:instance_of
|
gptkb:literary_work
|
|
gptkbp:adapted_into
|
gptkb:theater
gptkb:film
|
|
gptkbp:author
|
gptkb:Anthony_Burgess
|
|
gptkbp:available_in
|
digital format
audiobook format
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:contains
|
political commentary
social critique
historical references
|
|
gptkbp:critical_reception
|
mixed
|
|
gptkbp:discusses
|
gptkb:Malayan_independence_movement
British colonial rule
|
|
gptkbp:explores
|
gptkb:conflict
gptkb:colonialism
gptkb:identity
|
|
gptkbp:features
|
gptkb:fictional_character
gptkb:historical_figures
cultural diversity
|
|
gptkbp:first_edition
|
gptkb:1956
|
|
gptkbp:genre
|
gptkb:novel
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Malayan Trilogy
|
|
gptkbp:includes
|
gptkb:The_Enemy_in_the_Blanket
Time for a Tiger
Beds in the East
|
|
gptkbp:influenced
|
postcolonial studies
subsequent authors
literary studies on colonialism
|
|
gptkbp:influenced_by
|
postcolonial literature
Burgess's education
|
|
gptkbp:inspired_by
|
Burgess's experiences in Malaya
|
|
gptkbp:isbn
|
978-0-14-118202-0
|
|
gptkbp:language
|
English
|
|
gptkbp:narrative_style
|
satirical
|
|
gptkbp:number_of_books
|
gptkb:3
|
|
gptkbp:page_count
|
400
|
|
gptkbp:part_of
|
Burgess's oeuvre
|
|
gptkbp:protagonist
|
a British expatriate
|
|
gptkbp:published_by
|
Heinemann
|
|
gptkbp:published_in
|
gptkb:1956
multiple editions
|
|
gptkbp:recognized_by
|
academic institutions
literary critics
|
|
gptkbp:set_in
|
gptkb:Malaya
|
|
gptkbp:setting
|
20th century Malaya
|
|
gptkbp:style
|
lyrical
humorous
ironic
|
|
gptkbp:themes
|
gptkb:nationalism
modernity
race relations
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:bfsParent
|
gptkb:Anthony_Burgess
gptkb:A_Clockwork_Orange
|
|
gptkbp:bfsLayer
|
5
|