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gptkbp:instance_of
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gptkb:play
|
|
gptkbp:adaptations
|
gptkb:film_adaptation
gptkb:film_adaptations
gptkb:film
gptkb:theater_productions
television adaptations
theatre productions
stage adaptations
radio adaptations
opera adaptations
|
|
gptkbp:adapted_into
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gptkb:radio_station
gptkb:opera
gptkb:film
|
|
gptkbp:author
|
gptkb:Jean_Genet
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gptkbp:character_relationships
|
gptkb:complex
manipulative
conflicted
|
|
gptkbp:characters
|
gptkb:Solange
gptkb:Claire
Madame
|
|
gptkbp:critical_reception
|
acclaimed
controversial
|
|
gptkbp:cultural_impact
|
gptkb:significant
iconic
influential
influenced feminist literature
studied in drama schools
influenced modern drama
influenced queer theory
influenced feminist theatre
influenced queer theatre
|
|
gptkbp:cultural_significance
|
explores themes of betrayal
explores themes of class
explores themes of power
explores themes of sexuality
explores themes of servitude
|
|
gptkbp:director
|
gptkb:David_Mamet
gptkb:Robert_Wilson
gptkb:Peter_Brook
|
|
gptkbp:first_performance
|
gptkb:Théâtre_de_la_Huchette
1947
|
|
gptkbp:genre
|
gptkb:drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Maids
|
|
gptkbp:influence
|
gptkb:existentialism
gptkb:absurdism
gptkb:theatre_of_the_absurd
|
|
gptkbp:influenced
|
gptkb:Actor
gptkb:The_Birthday_Party
gptkb:The_Homecoming
gptkb:Waiting_for_Godot
directors
theatre practitioners
modern drama
|
|
gptkbp:influences
|
gptkb:existentialism
gptkb:absurdism
|
|
gptkbp:inspired
|
numerous interpretations
numerous adaptations
scholarly analysis
|
|
gptkbp:inspired_by
|
real-life events
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:notable_awards
|
gptkb:Molière_Award
gptkb:Tony_Award
gptkb:Emmy_Awards
|
|
gptkbp:notable_characters
|
gptkb:Solange
gptkb:Claire
Madame
|
|
gptkbp:notable_performances
|
gptkb:Isabelle_Huppert
gptkb:Uta_Hagen
gptkb:Kathleen_Turner
revivals
international productions
original cast
|
|
gptkbp:notable_quote
|
" I am not your maid!"
" The game is over!"
" We are not what we seem!"
|
|
gptkbp:notable_themes
|
gptkb:betrayal
gptkb:role-playing_game
servitude
|
|
gptkbp:original_language
|
gptkb:French
|
|
gptkbp:performance_style
|
avant-garde
absurdist theatre
|
|
gptkbp:performed_in
|
gptkb:various_countries
multiple languages
theatres worldwide
|
|
gptkbp:premiere_date
|
1947
|
|
gptkbp:premiere_location
|
gptkb:Théâtre_de_l'_Atelier
|
|
gptkbp:premiered_on
|
1947
|
|
gptkbp:published_in
|
gptkb:Les_Bonnes
1947
|
|
gptkbp:setting
|
a wealthy household
a bourgeois household
|
|
gptkbp:style
|
gptkb:Abstract_Expressionism
symbolic
surrealism
absurdist
|
|
gptkbp:symbolism
|
gptkb:betrayal
masks
servitude
|
|
gptkbp:themes
|
gptkb:identity
class struggle
power dynamics
|
|
gptkbp:written_by
|
gptkb:Jean_Genet
|
|
gptkbp:bfsParent
|
gptkb:Theater_of_the_Absurd
gptkb:Theatre_of_the_Absurd
gptkb:play
|
|
gptkbp:bfsLayer
|
4
|