|
gptkbp:instance_of
|
gptkb:play
|
|
gptkbp:adaptation
|
gptkb:film
|
|
gptkbp:audience
|
favorable reviews
|
|
gptkbp:author
|
gptkb:James_M._Barrie
|
|
gptkbp:character_development
|
gptkb:Lady_Mary
gptkb:Miss_Mabel
Sir Charles
|
|
gptkbp:character_relationships
|
gptkb:rivalry
gptkb:friendship
internal conflict
external conflict
romantic tension
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
inspired adaptations
|
|
gptkbp:cultural_significance
|
reflection of society
entertainment value
|
|
gptkbp:genre
|
gptkb:comedy
|
|
gptkbp:historical_context
|
Edwardian era
British theatre history
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Maid of Honour
|
|
gptkbp:influence
|
British theatre
|
|
gptkbp:inspiration
|
real-life events
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Lady_Mary
gptkb:Miss_Mabel
Sir Charles
|
|
gptkbp:motif
|
gptkb:betrayal
gptkb:loyalty
gptkb:deception
|
|
gptkbp:music_style
|
gptkb:dialogue
three-act structure
soliloquy
|
|
gptkbp:notable_quote
|
" Love is a great thing."
|
|
gptkbp:original_language
|
English
|
|
gptkbp:performance
|
gptkb:West_End
gptkb:Broadway
|
|
gptkbp:performance_style
|
naturalism
farce
|
|
gptkbp:plot_point
|
gptkb:revelation
conflict resolution
misunderstanding
social gathering
wedding proposal
|
|
gptkbp:premiere_date
|
1910
|
|
gptkbp:publication_year
|
1910
|
|
gptkbp:related_works
|
gptkb:The_Admirable_Crichton
gptkb:Peter_Pan
|
|
gptkbp:role
|
gptkb:protagonist
gptkb:antagonist
|
|
gptkbp:setting
|
gptkb:London
gptkb:Victorian_era
upper-class society
|
|
gptkbp:symbolism
|
love
class distinction
honour
|
|
gptkbp:thematic_element
|
gptkb:identity
social expectations
self-discovery
|
|
gptkbp:theme
|
gptkb:social_class
romance
|
|
gptkbp:bfsParent
|
gptkb:Philip_Massinger
|
|
gptkbp:bfsLayer
|
6
|