|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:theatre
gptkb:1968
gptkb:film
|
|
gptkbp:author
|
gptkb:John_Fowles
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:character_development
|
Nicholas Urfe's transformation
|
|
gptkbp:conflict
|
internal conflict
external conflict
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
influenced modern literature
adaptations in various media
inspired discussions on existentialism
exploration of psychological themes
analysis in academic circles
|
|
gptkbp:director
|
gptkb:Guy_Green
|
|
gptkbp:filmography
|
gptkb:Catherine_Deneuve
gptkb:Anthony_Quinn
gptkb:Juliet_Mills
gptkb:John_Paul
|
|
gptkbp:genre
|
psychological fiction
|
|
gptkbp:influence
|
postmodern literature
|
|
gptkbp:influenced_by
|
gptkb:Friedrich_Nietzsche
gptkb:Albert_Camus
gptkb:Søren_Kierkegaard
|
|
gptkbp:inspiration
|
gptkb:philosopher
gptkb:mythological_figure
|
|
gptkbp:isbn
|
978-0316291161
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Nicholas_Urfe
|
|
gptkbp:motif
|
love and betrayal
power dynamics
illusion vs reality
|
|
gptkbp:narrative_style
|
first-person
|
|
gptkbp:notable_quote
|
“ The only way to deal with the future is to function in the present.”
|
|
gptkbp:page_count
|
576
|
|
gptkbp:published_year
|
gptkb:1965
|
|
gptkbp:publisher
|
gptkb:Jonathan_Cape
|
|
gptkbp:setting
|
gptkb:Greece
|
|
gptkbp:symbolism
|
the labyrinth
the island of Phraxos
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:existentialism
gptkb:military_operation
freedom
|
|
gptkbp:bfsParent
|
gptkb:The_Magus_Saga
|
|
gptkbp:bfsLayer
|
5
|