gptkbp:instance_of
|
gptkb:novel
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:film_adaptations
gptkb:stage_adaptation
gptkb:drama
gptkb:film
poor
lack of depth
not faithful to the book
poor character development
|
gptkbp:antagonist
|
gptkb:Maurice_Conchis
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gptkbp:artistic_legacy
|
considered a classic
|
gptkbp:author
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gptkb:John_Fowles
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gptkbp:awards
|
gptkb:none
|
gptkbp:cast
|
gptkb:Michael_Cacoyannis
gptkb:David_Warner
gptkb:Anthony_Quinn
gptkb:John_Hurt
gptkb:Julian_Glover
gptkb:Candice_Bergen
|
gptkbp:character_arc
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Nicholas's journey of self-discovery
Nicholas's moral dilemmas
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gptkbp:character_development
|
gptkb:complex
Nicholas Urfe's transformation
Maurice Conchis's mystery
|
gptkbp:character_motivation
|
search for meaning
|
gptkbp:character_relationships
|
gptkb:complex
manipulative
naivety
deceptive
Nicholas and Conchis
Nicholas vs society
|
gptkbp:climax
|
Nicholas's confrontation with Maurice Conchis
|
gptkbp:conflict
|
internal conflict
|
gptkbp:critical_analysis
|
exploration of identity
|
gptkbp:critical_reception
|
mixed
mixed reviews
|
gptkbp:cultural_impact
|
gptkb:significant
influenced modern literature
inspired art and music
inspired academic studies
influenced other authors
inspired discussions on existentialism
|
gptkbp:cultural_references
|
1960s counterculture
|
gptkbp:director
|
gptkb:Guy_Green
|
gptkbp:element
|
the island of Phraxos
|
gptkbp:ended
|
ambiguous conclusion
|
gptkbp:film_editing
|
gptkb:Michael_Caine
gptkb:John_Fowles
|
gptkbp:followed_by
|
gptkb:The_French_Lieutenant's_Woman
|
gptkbp:genre
|
psychological thriller
psychological fiction
|
gptkbp:historical_context
|
post-war Europe
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Magus
|
gptkbp:influence
|
gptkb:Nietzsche
postmodern literature
|
gptkbp:influenced
|
gptkb:video_games
gptkb:television_series
gptkb:music
|
gptkbp:influenced_artists
|
gptkb:David_Mitchell
gptkb:Julian_Barnes
gptkb:Salman_Rushdie
|
gptkbp:influenced_by
|
gptkb:Carl_Jung
gptkb:Friedrich_Nietzsche
gptkb:Sigmund_Freud
gptkb:Albert_Camus
gptkb:Søren_Kierkegaard
gptkb:Modernism
gptkb:Postmodernism
gptkb:Surrealism
gptkb:psychology
Existentialism
existential philosophy
Existential philosophy
|
gptkbp:influences
|
gptkb:The_French_Existentialists
The Greeks
Camus and Sartre
|
gptkbp:inspiration
|
gptkb:Greek_mythology
|
gptkbp:inspired_by
|
gptkb:Greek_mythology
|
gptkbp:isbn
|
978-0-099-50580-0
978-0316291161
|
gptkbp:language
|
English
|
gptkbp:length
|
576 pages
|
gptkbp:literary_devices
|
unreliable narrator
|
gptkbp:main_character
|
gptkb:Nicholas_Urfe
|
gptkbp:motif
|
gptkb:deception
illusion vs reality
|
gptkbp:narrative
|
non-linear
|
gptkbp:narrative_style
|
gptkb:dialogue
first-person
stream of consciousness
third-person
unreliable narrator
symbolic imagery
rich prose
richly descriptive
|
gptkbp:notable_quote
|
“ The only way to deal with the future is to function in the present.”
|
gptkbp:page_count
|
576
|
gptkbp:philosophy
|
gptkb:identity
free will
truth
nature of reality
|
gptkbp:plot
|
Nicholas Urfe's experiences on a Greek island
|
gptkbp:plot_twist
|
revelation of Conchis's true identity
|
gptkbp:protagonist
|
gptkb:Nicholas_Urfe
|
gptkbp:protagonist_journey
|
gptkb:moral_ambiguity
self-discovery
|
gptkbp:published_in
|
gptkb:1965
|
gptkbp:published_year
|
gptkb:1968
|
gptkbp:publisher
|
gptkb:Jonathan_Cape
|
gptkbp:reader_demographic
|
cult following
polarizing
open to multiple readings
|
gptkbp:release_year
|
gptkb:1968
|
gptkbp:setting
|
gptkb:Greece
|
gptkbp:setting_time
|
1960s
|
gptkbp:symbolic_character
|
Conchis
|
gptkbp:symbolism
|
gptkb:magic
gptkb:illusion
gptkb:mythology
the labyrinth
|
gptkbp:thematic_element
|
illusion vs reality
|
gptkbp:theme
|
gptkb:existentialism
|
gptkbp:themes
|
gptkb:existentialism
gptkb:nihilism
gptkb:absurdism
gptkb:identity
freedom
reality
freedom and choice
|
gptkbp:translated_into
|
multiple languages
|
gptkbp:bfsParent
|
gptkb:Guardians_of_the_Galaxy
gptkb:Michael_Caine
gptkb:John_Fowles
|
gptkbp:bfsLayer
|
4
|