|
gptkbp:instance_of
|
gptkb:play
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:musical
gptkb:radio_station
gptkb:television
gptkb:film
|
|
gptkbp:author
|
gptkb:Jean_Giraudoux
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gptkbp:based_on
|
gptkb:Play_by_Jean_Giraudoux
The Madwoman of Chaillot (play)
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gptkbp:box_office
|
$1.5 million
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gptkbp:character
|
gptkb:The_Judge
gptkb:The_Businessman
gptkb:Pere_Ubu
gptkb:The_Inspector
gptkb:The_Baron
gptkb:The_Old_Woman
gptkb:Countess_Aurelia
gptkb:The_President
gptkb:The_Philosopher
The Young Man
The Madwoman
The Industrialist
Gaspard
The Ragpicker
The Oilman
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gptkbp:cinematography
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gptkb:Henri_Decaë
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gptkbp:cinematography_by
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gptkb:Charles_Lang
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gptkbp:color
|
gptkb:Color
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gptkbp:country
|
gptkb:France
gptkb:United_States
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gptkbp:critical_reception
|
mixed reviews
widely acclaimed
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gptkbp:cultural_impact
|
gptkb:artistic_legacy
gptkb:metaphor
gptkb:character_development
gptkb:feminism
gptkb:allegory
critical acclaim
cultural references
artistic expression
political commentary
symbolism
audience engagement
social critique
environmentalism
anti-capitalism
inspired adaptations
thematic depth
scholarly analysis
dramatic structure
influence on playwrights
dialogue style
influence on actors
theatre innovation
influence on critics
inspired protests against capitalism
influence on directors
influence on audiences
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|
gptkbp:cultural_references
|
performed worldwide
analyzed in literary studies
inspired visual art
inspired dance performances
inspired music compositions
influenced other playwrights
adapted into various languages
inspired social movements
inspired environmental movements
inspired political movements
inspired feminist movements
included in academic curricula
often referenced in discussions of absurdism
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|
gptkbp:directed_by
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Brynner
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gptkbp:director
|
gptkb:Various
Yves Allegret
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gptkbp:distributor
|
gptkb:20th_Century_Fox
gptkb:MGM
|
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gptkbp:edited_by
|
gptkb:George_Tomasini
|
|
gptkbp:editing
|
gptkb:Micheline_Poirier
|
|
gptkbp:film_festival
|
gptkb:Berlin_International_Film_Festival
gptkb:Toronto_International_Film_Festival
gptkb:Cannes_Film_Festival_1969
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|
gptkbp:first_performance
|
1945
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gptkbp:genre
|
gptkb:comedy
gptkb:drama
absurdist theatre
absurdist play
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|
https://www.w3.org/2000/01/rdf-schema#label
|
The Madwoman of Chaillot
|
|
gptkbp:influence
|
gptkb:Theatre_of_the_Absurd
post-war theatre
|
|
gptkbp:influenced
|
gptkb:art
gptkb:Film_adaptations
gptkb:literature
Theatre productions
|
|
gptkbp:inspiration
|
gptkb:Theatre_of_the_Absurd
gptkb:Resistance
Giraudoux's experiences in World War II
|
|
gptkbp:language
|
gptkb:French
English
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|
gptkbp:main_character
|
gptkb:Countess_Aurelia
|
|
gptkbp:message
|
critique of materialism
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|
gptkbp:music
|
gptkb:Maurice_Jarre
|
|
gptkbp:music_by
|
gptkb:Miklós_Rózsa
|
|
gptkbp:notable_production
|
2000 revival
2019 revival
1980 revival
1969 film adaptation
1971 Broadway production
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|
gptkbp:notable_quote
|
" The world is a mad place."
" The world is mad!"
" We must save the world!"
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|
gptkbp:performance
|
gptkb:West_End
gptkb:Broadway
|
|
gptkbp:performance_style
|
non-realistic
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:premiere_date
|
1945
|
|
gptkbp:premiere_location
|
gptkb:Théâtre_de_la_Porte_Saint-Martin
|
|
gptkbp:produced_by
|
gptkb:MGM
|
|
gptkbp:published_in
|
1947
|
|
gptkbp:release_date
|
December 1964
|
|
gptkbp:release_year
|
gptkb:1969
|
|
gptkbp:released_in
|
gptkb:1964
|
|
gptkbp:remake
|
The Madwoman of Chaillot (1970 TV film)
The Madwoman of Chaillot (1990 TV film)
|
|
gptkbp:runtime
|
120 minutes
|
|
gptkbp:screenplay
|
gptkb:Jean_Giraudoux
|
|
gptkbp:screenplay_by
|
gptkb:Waldo_Salt
|
|
gptkbp:setting
|
gptkb:Paris
|
|
gptkbp:starring
|
gptkb:Paul_Scofield
gptkb:Katharine_Hepburn
gptkb:Yves_Montand
gptkb:Aldo_Ray
|
|
gptkbp:style
|
satirical
|
|
gptkbp:symbolism
|
gptkb:the_city_of_Paris
the role of women
the power of imagination
madness as clarity
|
|
gptkbp:theme
|
gptkb:social_justice
madness
environmentalism
|
|
gptkbp:bfsParent
|
gptkb:Caryl_Churchill
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|
gptkbp:bfsLayer
|
4
|