Properties (57)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
play
|
| gptkbp:adaptation |
film
|
| gptkbp:author |
gptkb:Jean_Giraudoux
|
| gptkbp:character |
gptkb:Père_Ubu
The Baron The President The Philosopher The Young Man The Madwoman The Police Officer The Businessman The_Oilman The_Ragpicker |
| gptkbp:communicationEquipment |
Critique of capitalism
Environmental concerns Importance of community Critique of industrialization Search for meaning Critique of societal norms Search for identity Value of friendship Critique of materialism Role of women in society Critique of war Exploration of love Exploration of power dynamics Exploration of hope Exploration of madness Critique of authority Exploration of reality Exploration of freedom Hope in despair Exploration of justice Exploration of the absurd Search for truth Exploration of truth Importance of compassion Critique of hypocrisy Critique of greed Defense of the marginalized Importance of dreams Importance of individuality Power of dreams Resistance to conformity Role of the artist Value of imagination Value of laughter |
| gptkbp:filmingLocation |
gptkb:Théâtre_de_la_Porte-Saint-Martin
|
| gptkbp:genre |
absurdist theatre
|
| gptkbp:hasPerformance |
1945
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Madwoman of Chaillot
|
| gptkbp:influence |
gptkb:post-World_War_II_theatre
|
| gptkbp:language |
French
|
| gptkbp:mainCharacter |
gptkb:Countess_Aurelia
|
| gptkbp:notableQuote |
"The world is a mad place."
|
| gptkbp:setting |
gptkb:Paris
|
| gptkbp:theme |
social justice
|