Statements (94)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:painting
|
| gptkbp:acquisition_year |
1823
|
| gptkbp:art_movement |
gptkb:High_Renaissance
|
| gptkbp:artist |
gptkb:Leonardo_da_Vinci
|
| gptkbp:artistic_legacy |
considered a masterpiece
|
| gptkbp:artistic_technique |
Attention to detail
Emotional expression Naturalism dramatic lighting emotional depth narrative elements spiritual symbolism rich textures detailed backgrounds symbolic gestures Use of perspective innovative use of perspective expressive faces dynamic poses emphasis on human emotion spatial depth harmonious composition contrasting light and shadow subtle color transitions symbolic color use emphasis on the divine naturalistic figures integration of figures and landscape |
| gptkbp:collection |
gptkb:National_Gallery_of_Australia
|
| gptkbp:color_palette |
earth tones
Rich colors |
| gptkbp:commissioned |
gptkb:Confraternity_of_the_Immaculate_Conception
|
| gptkbp:created |
gptkb:Confraternity_of_the_Immaculate_Conception
|
| gptkbp:cultural_impact |
Inspiration for artists
Referenced in popular culture iconic representation of the Virgin Mary Referenced in literature Studied in art history courses Significant in Western art |
| gptkbp:cultural_significance |
Important work in art history
represents the Renaissance ideals |
| gptkbp:depicted_in |
art history books
|
| gptkbp:depicts |
gptkb:Angel
gptkb:Saint_John_the_Baptist gptkb:Virgin_Mary gptkb:John_the_Baptist gptkb:Saint_Joseph The Virgin Mary, Child Jesus, and John the Baptist |
| gptkbp:dimensions |
199 cm × 123 cm
199 cm × 122 cm |
| gptkbp:exhibition_history |
National Gallery exhibitions
|
| gptkbp:exhibitions |
Various art exhibitions worldwide
|
| gptkbp:exhibits |
sfumato technique
|
| gptkbp:featured_in |
art exhibitions worldwide
documentaries about Leonardo da Vinci |
| gptkbp:historical_context |
Commissioned during the Renaissance period
|
| gptkbp:historical_significance |
important work of the High Renaissance
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Madonna of the Rocks
|
| gptkbp:influenced |
gptkb:Baroque_art
Modern art subsequent artists Subsequent artists modern interpretations of religious art |
| gptkbp:influenced_by |
gptkb:Italian_Renaissance
gptkb:Gothic_art Leonardo's earlier works |
| gptkbp:inspiration |
gptkb:Christianity
|
| gptkbp:located_in |
gptkb:National_Gallery,_London
|
| gptkbp:location |
gptkb:San_Francesco_Grande,_Milan
gptkb:National_Gallery,_London |
| gptkbp:medium |
oil on wood
|
| gptkbp:notable_exhibitions |
Leonardo da Vinci exhibitions
|
| gptkbp:notable_features |
gptkb:Chiaroscuro
Sfumato use of chiaroscuro complex composition |
| gptkbp:notable_technique |
layering of paint
|
| gptkbp:part_of |
gptkb:Renaissance_art_movement
|
| gptkbp:related_to |
gptkb:The_Virgin_of_the_Rocks
|
| gptkbp:reproduction |
Numerous reproductions exist
|
| gptkbp:restoration |
multiple restorations over the years
|
| gptkbp:scholarly_analysis |
extensive academic studies
|
| gptkbp:style |
gptkb:Renaissance
|
| gptkbp:subject |
gptkb:Madonna_and_Child
|
| gptkbp:symbolism |
spiritual enlightenment
Nature and spirituality Divine motherhood divine motherhood redemptive love Redemptive love |
| gptkbp:technique |
Layering of paint
|
| gptkbp:year_created |
1483
|
| gptkbp:bfsParent |
gptkb:Leonardo_da_Vinci
|
| gptkbp:bfsLayer |
4
|