|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:art_style
|
realism
|
|
gptkbp:artistic_influence
|
romantic drama
ambient sound
|
|
gptkbp:awards
|
gptkb:Best_Actress
gptkb:Best_Director
|
|
gptkbp:box_office
|
$1 million
|
|
gptkbp:character
|
gptkb:Clara
gptkb:Paul
gptkb:Henri
|
|
gptkbp:character_development
|
gptkb:launch_complex
|
|
gptkbp:cinematography
|
intimate shots
Julien Hirsch
|
|
gptkbp:composer
|
gptkb:Michaël_Levy
|
|
gptkbp:country
|
gptkb:Monarch
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
influential
|
|
gptkbp:director
|
gptkb:Jacques_Doillon
contemporary filmmakers
|
|
gptkbp:distributor
|
gptkb:Les_Films_du_Losange
|
|
gptkbp:editor
|
gptkb:Marie-Josèphe_Yoyotte
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:filming_location
|
gptkb:Monarch
|
|
gptkbp:genre
|
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Lovers (1996)
|
|
gptkbp:influence
|
slow pacing
|
|
gptkbp:influences
|
gptkb:award
gptkb:French_New_Wave
Existentialism
|
|
gptkbp:inspiration
|
subsequent films
|
|
gptkbp:language
|
gptkb:French
poetic
|
|
gptkbp:legacy
|
cult classic
|
|
gptkbp:narrative_style
|
non-linear
character-driven stories
|
|
gptkbp:production_company
|
gptkb:Les_Films_du_Losange
|
|
gptkbp:rating
|
Not Rated
|
|
gptkbp:release_date
|
gptkb:1996
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_region
|
gptkb:Monarch
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Jacques_Doillon
|
|
gptkbp:setting
|
gptkb:Paris
|
|
gptkbp:soundtrack
|
gptkb:musical
|
|
gptkbp:starring
|
gptkb:Jean-Pierre_Darroussin
gptkb:Sergi_López
gptkb:Marina_Hands
|
|
gptkbp:symbolism
|
gptkb:tank
gptkb:item
flowers
shadows
|
|
gptkbp:theme
|
gptkb:award
gptkb:betrayal
gptkb:military_operation
love
|
|
gptkbp:themes
|
love and loss
|
|
gptkbp:visitors
|
art house cinema
|
|
gptkbp:bfsParent
|
gptkb:Carroll_Dunham
|
|
gptkbp:bfsLayer
|
4
|