|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Picasso
gptkb:Pablo_Picasso
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
The Lovers (play)
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:cast
|
gptkb:Gaston_Baty
gptkb:Politician
gptkb:Yvonne_de_Bray
gptkb:Édith_Jordan
Marcel André
|
|
gptkbp:cinematography
|
gptkb:André_Bacard
|
|
gptkbp:color
|
black and white
|
|
gptkbp:country
|
gptkb:Monarch
|
|
gptkbp:critical_reception
|
mixed
|
|
gptkbp:cultural_impact
|
influenced later films
|
|
gptkbp:director
|
gptkb:Politician
|
|
gptkbp:distributor
|
gptkb:Pathé_Consortium_Cinéma
|
|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:Berlin_International_Film_Festival
|
|
gptkbp:filmography
|
gptkb:Politician
|
|
gptkbp:follows
|
gptkb:The_Blood_of_a_Poet
|
|
gptkbp:genre
|
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Lovers (1923)
|
|
gptkbp:influenced_by
|
gptkb:Symbolism
gptkb:award
gptkb:Expressionism
gptkb:Artist
French avant-garde cinema
|
|
gptkbp:influences
|
gptkb:Monarch
|
|
gptkbp:is_available_on
|
gptkb:DJ
gptkb:film
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:music_by
|
gptkb:Arthur_Honegger
|
|
gptkbp:notable_quote
|
" We are all in the gutter, but some of us are looking at the stars."
" Love is a game that two can play and both win."
" The heart has its reasons which reason knows not."
|
|
gptkbp:precedes
|
gptkb:Orpheus
|
|
gptkbp:production_company
|
Les Films de la Plume
|
|
gptkbp:release_date
|
1923-10-01
|
|
gptkbp:release_year
|
1923
|
|
gptkbp:restoration
|
gptkb:battle
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Politician
|
|
gptkbp:technique
|
symbolism
poetic imagery
non-linear narrative
dream sequences
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:festival
love
desire
|