|
gptkbp:instance_of
|
gptkb:musical
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
4
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|
gptkbp:bfsParent
|
gptkb:Kick
gptkb:Evelyn_Waugh
gptkb:Evelyn_H._Waugh
|
|
gptkbp:adaptation
|
gptkb:theatre
gptkb:1970
gptkb:radio_station
gptkb:film
The Loved One (film)
|
|
gptkbp:adapted_into
|
a stage play
a film
|
|
gptkbp:art_movement
|
gptkb:modernism
|
|
gptkbp:author
|
gptkb:Evelyn_Waugh
|
|
gptkbp:available_formats
|
gptkb:book
ebook
hardcover
paperback
|
|
gptkbp:awards
|
gptkb:Tony_Award_for_Best_Musical
gptkb:none
gptkb:Drama_Desk_Award_for_Outstanding_Musical
|
|
gptkbp:based_on
|
novel by Evelyn Waugh
The Loved One (novel)
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|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:budget
|
$10 million
|
|
gptkbp:challenges
|
social norms
|
|
gptkbp:character
|
gptkb:The_Mourners
gptkb:Aimee_Thanatogenous
gptkb:Lila
gptkb:The_Audience
gptkb:The_Choir
gptkb:The_Family
gptkb:The_Lovers
gptkb:The_Narrator
gptkb:The_Waiter
gptkb:The_Waitress
gptkb:Daniel
gptkb:The_Loved_One
gptkb:The_Gravedigger
gptkb:Dr._H._M._Hargrove
gptkb:Margo
gptkb:The_Undertaker
gptkb:Eddie
gptkb:The_Director
gptkb:The_Priest
gptkb:The_Guests
gptkb:Aimee_Thanatogenos
gptkb:Mr._Joyboy
gptkb:Sir_Ambrose_Abercrombie
gptkb:Diane
gptkb:The_Friends
Aimee
The Producer
The Stage Manager
Mr. Mc Cauley
Mr. Waugh
Mrs. Joyboy
Mrs. Mc Cauley
Aimee's profession
Mr. Joyboy's profession
Mrs. H. M. Barlow
Sir Francis Hinsley
Sir Francis's profession
The Grieving Widow
|
|
gptkbp:cinematography
|
gptkb:Eric_Edwards
gptkb:Haskell_Wexler
|
|
gptkbp:color
|
black and white
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
cult classic
critique of American values
satirical commentary on the funeral industry
commentary on American society
|
|
gptkbp:depicts
|
funeral practices
|
|
gptkbp:died_in
|
gptkb:2000
gptkb:2010
|
|
gptkbp:directed_by
|
gptkb:Robert_Drivas
|
|
gptkbp:director
|
gptkb:Jesse_Peretz
gptkb:David_Ives
gptkb:Tony_Richardson
gptkb:Terry_Southern
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
gptkb:MGM
|
|
gptkbp:edited_by
|
gptkb:Elliot_Graham
|
|
gptkbp:editor
|
gptkb:Elliot_Graham
gptkb:Michael_A._Berenbaum
|
|
gptkbp:examines
|
the concept of mortality
|
|
gptkbp:features
|
romantic relationships
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:film_score
|
gptkb:musical
|
|
gptkbp:filming_location
|
gptkb:Santa_Monica
gptkb:California
gptkb:Los_Angeles
|
|
gptkbp:filmography
|
gptkb:1965
The Loved One (1965)
|
|
gptkbp:first_released
|
gptkb:1965
|
|
gptkbp:followed_by
|
The Loved One (2003)
The Loved One (musical)
|
|
gptkbp:genre
|
gptkb:musical
gptkb:comic_book
gptkb:High_School
satirical fiction
|
|
gptkbp:has_film
|
gptkb:Tony_Richardson
|
|
gptkbp:has_influence_on
|
subsequent satirical works
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Loved One
|
|
gptkbp:influenced
|
gptkb:Author
gptkb:Film_Director
dark comedy
satirical literature
subsequent satirical works
|
|
gptkbp:influenced_by
|
gptkb:The_American_Dream
gptkb:The_Great_Gatsby
American culture
British literature
Waugh's observations
Waugh's personal experiences
Waugh's travels
The Loved One (film)
|
|
gptkbp:influences
|
American culture
British literature
|
|
gptkbp:inspiration
|
Waugh's experiences in Hollywood
|
|
gptkbp:is_a_backdrop_for
|
post-war America
|
|
gptkbp:is_analyzed_in
|
literary studies
|
|
gptkbp:is_available_in
|
audiobook format
|
|
gptkbp:is_characterized_by
|
irony
|
|
gptkbp:is_cited_in
|
literary critiques
|
|
gptkbp:is_considered_as
|
classic of English literature
|
|
gptkbp:is_criticized_for
|
consumerism
|
|
gptkbp:is_discussed_in
|
gptkb:literary_work
academic studies
book clubs
|
|
gptkbp:is_evaluated_by
|
wit
|
|
gptkbp:is_featured_in
|
literary anthologies
|
|
gptkbp:is_influenced_by
|
Waugh's experiences in America
|
|
gptkbp:is_known_for
|
dark humor
|
|
gptkbp:is_often_associated_with
|
literary anthologies
|
|
gptkbp:is_often_compared_to
|
other satirical works
|
|
gptkbp:is_often_depicted_as
|
the funeral industry
|
|
gptkbp:is_recognized_for
|
unique characters
|
|
gptkbp:is_referenced_in
|
gptkb:organization
|
|
gptkbp:is_reflected_in
|
Waugh's views on death
|
|
gptkbp:is_reviewed_by
|
the American Dream
|
|
gptkbp:is_studied_in
|
university courses
|
|
gptkbp:isbn
|
978-0-316-76912-0
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_devices
|
gptkb:organization
|
|
gptkbp:main_character
|
gptkb:Dennis_Barlow
Sir Francis Hinsley
|
|
gptkbp:music
|
gptkb:Paul_Williams
|
|
gptkbp:music_by
|
gptkb:The_Shins
gptkb:Michael_Mc_Lean
gptkb:Paul_Williams
|
|
gptkbp:narrative_style
|
third-person
life and death
satirical
dark humor
absurdist elements
identity crises
adapted into various media
the absurdity of life
|
|
gptkbp:notable_performers
|
American culture
|
|
gptkbp:notable_quote
|
“ The loved one is a very special person.”
“ The Loved One is a satire on the funeral industry.”
“ The Loved One is a satire on the American funeral industry.”
|
|
gptkbp:notable_song
|
gptkb:The_Last_Goodbye
gptkb:The_Loved_One
The Final Resting Place
The Funeral Song
|
|
gptkbp:page_count
|
192
|
|
gptkbp:parody
|
the American funeral industry
the commodification of death
|
|
gptkbp:plot
|
romantic entanglements
cultural critique
satirical take on the funeral industry
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:premiered_on
|
gptkb:1970
|
|
gptkbp:produced_by
|
gptkb:The_New_York_Theatre_Workshop
|
|
gptkbp:production_company
|
gptkb:Columbia_Pictures
gptkb:MGM
|
|
gptkbp:published_by
|
gptkb:Little,_Brown_and_Company
gptkb:1964
1948
|
|
gptkbp:publisher
|
gptkb:Little,_Brown_and_Company
gptkb:Chapman_&_Hall
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:receives
|
critical acclaim
|
|
gptkbp:release_date
|
gptkb:1965
gptkb:2003
1965-06-30
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_region
|
gptkb:United_States
|
|
gptkbp:release_year
|
gptkb:1965
gptkb:2015
|
|
gptkbp:runtime
|
97 minutes
121 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Jesse_Peretz
gptkb:Terry_Southern
|
|
gptkbp:set_in
|
gptkb:Los_Angeles
|
|
gptkbp:setlist_includes
|
a pet cemetery
|
|
gptkbp:setting
|
gptkb:Los_Angeles
|
|
gptkbp:significance
|
exploration of mortality
|
|
gptkbp:starring
|
gptkb:Matthew_Mc_Conaughey
gptkb:Rod_Steiger
gptkb:Anjanette_Comer
gptkb:Zach_Galifianakis
gptkb:Robert_Morse
gptkb:John_Gielgud
gptkb:Reese_Witherspoon
|
|
gptkbp:stations
|
gptkb:BBC_Radio
|
|
gptkbp:theme
|
gptkb:musical
gptkb:TV_series
gptkb:award
gptkb:political_movement
gptkb:existentialism
gptkb:loss
gptkb:comic_book
gptkb:Community_Center
gptkb:cemetery
gptkb:family
American culture
love
relationships
cynicism
social commentary
grief
mortality
romance
consumerism
irony
societal norms
modernity
life and death
absurdity
values
cultural critique
funeral practices
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:existentialism
gptkb:cemetery
love
romantic relationships
cynicism
social commentary
the afterlife
grief
mortality
irony
societal norms
cultural differences
dark humor
the American Dream
the nature of love
cultural dislocation
the nature of identity
the nature of grief
absurdity of life
the nature of society
the nature of death
romantic disillusionment
satire of the elite
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:written_by
|
gptkb:Evelyn_Waugh
gptkb:Alexander_Cohen
|
|
gptkbp:written_in
|
English
|