|
gptkbp:instance_of
|
gptkb:musical
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:radio_station
gptkb:film
gptkb:stage_play
The Loved One (film)
|
|
gptkbp:adaptation_year
|
gptkb:1970
|
|
gptkbp:adapted_into
|
a stage play
a film
|
|
gptkbp:author
|
gptkb:Evelyn_Waugh
|
|
gptkbp:available_formats
|
gptkb:audiobook
ebook
hardcover
paperback
|
|
gptkbp:available_in
|
audiobook format
|
|
gptkbp:awards
|
gptkb:Tony_Award_for_Best_Musical
gptkb:none
gptkb:Drama_Desk_Award_for_Outstanding_Musical
|
|
gptkbp:based_on
|
novel by Evelyn Waugh
The Loved One (novel)
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:budget
|
$10 million
|
|
gptkbp:challenges
|
social norms
|
|
gptkbp:character
|
gptkb:The_Mourners
gptkb:Aimee_Thanatogenous
gptkb:Lila
gptkb:The_Audience
gptkb:The_Choir
gptkb:The_Family
gptkb:The_Lovers
gptkb:The_Narrator
gptkb:The_Waiter
gptkb:The_Waitress
gptkb:Daniel
gptkb:The_Loved_One
gptkb:The_Gravedigger
gptkb:Dr._H._M._Hargrove
gptkb:Margo
gptkb:The_Undertaker
gptkb:Eddie
gptkb:The_Director
gptkb:The_Priest
gptkb:The_Guests
gptkb:Aimee_Thanatogenos
gptkb:Mr._Joyboy
gptkb:Sir_Ambrose_Abercrombie
gptkb:Diane
gptkb:The_Friends
Aimee
The Producer
The Stage Manager
Mr. Mc Cauley
Mr. Waugh
Mrs. Joyboy
Mrs. Mc Cauley
Aimee's profession
Mr. Joyboy's profession
Mrs. H. M. Barlow
Sir Francis Hinsley
Sir Francis's profession
The Grieving Widow
|
|
gptkbp:characters
|
gptkb:Aimee_Thanatogenos
gptkb:Mr._Joyboy
|
|
gptkbp:cinematography
|
gptkb:Eric_Edwards
gptkb:Haskell_Wexler
|
|
gptkbp:cinematography_by
|
gptkb:Haskell_Wexler
|
|
gptkbp:color
|
black and white
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
cult classic
critique of American values
satirical commentary on the funeral industry
commentary on American society
|
|
gptkbp:depicts_the_absurdity_of
|
funeral practices
|
|
gptkbp:directed_by
|
gptkb:Robert_Drivas
|
|
gptkbp:director
|
gptkb:Jesse_Peretz
gptkb:Tony_Richardson
gptkb:Terry_Southern
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
gptkb:MGM
|
|
gptkbp:edited_by
|
gptkb:Elliot_Graham
|
|
gptkbp:editing
|
gptkb:Elliot_Graham
gptkb:Michael_A._Berenbaum
|
|
gptkbp:explores_themes
|
gptkb:death
cultural differences
|
|
gptkbp:featured_in
|
literary anthologies
|
|
gptkbp:features_a_setting_that_includes
|
a pet cemetery
|
|
gptkbp:features_a_subplot_involving
|
romantic relationships
|
|
gptkbp:film_editing
|
gptkb:1965
The Loved One (1965)
|
|
gptkbp:film_festival
|
gptkb:Sundance_Film_Festival
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_score
|
gptkb:original_score
|
|
gptkbp:filming_location
|
gptkb:Santa_Monica
gptkb:California
gptkb:Los_Angeles
|
|
gptkbp:first_released
|
gptkb:1965
|
|
gptkbp:followed_by
|
The Loved One (2003)
The Loved One (musical)
|
|
gptkbp:genre
|
gptkb:musical_comedy
gptkb:comedy
gptkb:satire
gptkb:drama
satirical fiction
|
|
gptkbp:has_a_film_adaptation_directed_by
|
gptkb:Tony_Richardson
|
|
gptkbp:has_influenced
|
subsequent satirical works
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Loved One
|
|
gptkbp:influenced
|
gptkb:Film_Director
gptkb:Screenwriter
dark comedy
satirical literature
subsequent satirical works
|
|
gptkbp:influenced_by
|
gptkb:The_American_Dream
gptkb:The_Great_Gatsby
American culture
British literature
Waugh's observations
Waugh's personal experiences
Waugh's travels
The Loved One (film)
|
|
gptkbp:influences
|
American culture
British literature
|
|
gptkbp:inspiration
|
Waugh's experiences in Hollywood
|
|
gptkbp:is_a_backdrop_for
|
post-war America
|
|
gptkbp:is_a_commentary_on_the_nature_of
|
life and death
|
|
gptkbp:is_a_novel_that_reflects_on
|
gptkb:cultural_identity
|
|
gptkbp:is_a_satire_on
|
the American funeral industry
|
|
gptkbp:is_a_satire_that_addresses
|
the commodification of death
|
|
gptkbp:is_a_text_that_examines
|
the concept of mortality
|
|
gptkbp:is_a_work_that_has_received
|
critical acclaim
|
|
gptkbp:is_acclaimed_for
|
wit
|
|
gptkbp:is_analyzed_in
|
literary studies
|
|
gptkbp:is_available_in
|
audiobook format
|
|
gptkbp:is_characterized_by
|
irony
|
|
gptkbp:is_cited_in
|
literary critiques
|
|
gptkbp:is_considered_as
|
classic of English literature
|
|
gptkbp:is_critiqued_by
|
consumerism
the American Dream
|
|
gptkbp:is_discussed_in
|
gptkb:literary_criticism
academic studies
book clubs
|
|
gptkbp:is_influenced_by
|
Waugh's experiences in America
|
|
gptkbp:is_known_for
|
dark humor
|
|
gptkbp:is_often_compared_to
|
other satirical works
|
|
gptkbp:is_often_depicted_as
|
the funeral industry
|
|
gptkbp:is_recognized_for
|
unique characters
|
|
gptkbp:is_referenced_in
|
gptkb:popular_culture
|
|
gptkbp:is_reflected_in
|
Waugh's views on death
|
|
gptkbp:is_studied_in
|
university courses
|
|
gptkbp:isbn
|
978-0-316-76912-0
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_movement
|
gptkb:modernism
|
|
gptkbp:literary_significance
|
exploration of mortality
|
|
gptkbp:main_character
|
gptkb:Dennis_Barlow
Sir Francis Hinsley
|
|
gptkbp:music
|
gptkb:Paul_Williams
|
|
gptkbp:music_by
|
gptkb:The_Shins
gptkb:Michael_Mc_Lean
gptkb:Paul_Williams
|
|
gptkbp:narrative
|
satirical
absurdist elements
identity crises
adapted into various media
the absurdity of life
|
|
gptkbp:narrative_style
|
third-person
dark humor
|
|
gptkbp:notable_quote
|
“ The loved one is a very special person.”
“ The Loved One is a satire on the funeral industry.”
“ The Loved One is a satire on the American funeral industry.”
|
|
gptkbp:notable_song
|
gptkb:The_Last_Goodbye
gptkb:The_Loved_One
The Final Resting Place
The Funeral Song
|
|
gptkbp:notable_speakers
|
American culture
|
|
gptkbp:notable_themes
|
gptkb:existentialism
gptkb:identity
romantic relationships
cynicism
social commentary
the afterlife
grief
mortality
irony
societal norms
dark humor
the American Dream
the nature of love
cultural dislocation
the nature of identity
the nature of grief
absurdity of life
the nature of society
the nature of death
romantic disillusionment
satire of the elite
|
|
gptkbp:often_includes
|
literary anthologies
|
|
gptkbp:page_count
|
192
|
|
gptkbp:plot
|
romantic entanglements
cultural critique
satirical take on the funeral industry
|
|
gptkbp:premiere
|
gptkb:Sundance_Film_Festival
|
|
gptkbp:premiered_on
|
gptkb:1970
|
|
gptkbp:produced_by
|
gptkb:The_New_York_Theatre_Workshop
|
|
gptkbp:production_company
|
gptkb:Columbia_Pictures
gptkb:MGM
|
|
gptkbp:published
|
gptkb:1964
1948
|
|
gptkbp:published_by
|
gptkb:Little,_Brown_and_Company
|
|
gptkbp:published_in
|
1948
|
|
gptkbp:publisher
|
gptkb:Little,_Brown_and_Company
gptkb:Chapman_&_Hall
|
|
gptkbp:radio_adaptation_network
|
gptkb:BBC_Radio
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:release_country
|
gptkb:United_States
|
|
gptkbp:release_date
|
gptkb:1965
gptkb:2003
1965-06-30
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1965
gptkb:2015
|
|
gptkbp:revived_in
|
gptkb:2000
gptkb:2010
|
|
gptkbp:runtime
|
97 minutes
121 minutes
|
|
gptkbp:screenplay
|
gptkb:Terry_Southern
|
|
gptkbp:screenplay_by
|
gptkb:Jesse_Peretz
gptkb:Terry_Southern
|
|
gptkbp:set_in
|
gptkb:Los_Angeles
|
|
gptkbp:setting
|
gptkb:Los_Angeles
|
|
gptkbp:stage_adaptation_director
|
gptkb:David_Ives
|
|
gptkbp:starring
|
gptkb:Matthew_Mc_Conaughey
gptkb:Rod_Steiger
gptkb:Anjanette_Comer
gptkb:Zach_Galifianakis
gptkb:Robert_Morse
gptkb:John_Gielgud
gptkb:Reese_Witherspoon
|
|
gptkbp:theme
|
gptkb:existentialism
gptkb:loss
gptkb:satire
gptkb:death
gptkb:friendship
gptkb:identity
gptkb:family
gptkb:tradition
gptkb:humor
gptkb:society
American culture
love
relationships
cynicism
social commentary
grief
mortality
romance
consumerism
irony
societal norms
modernity
life and death
absurdity
values
cultural critique
funeral practices
|
|
gptkbp:themes
|
gptkb:death
love
grief
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:written_by
|
gptkb:Evelyn_Waugh
gptkb:Alexander_Cohen
|
|
gptkbp:written_in
|
English
|
|
gptkbp:bfsParent
|
gptkb:Evelyn_H._Waugh
|
|
gptkbp:bfsLayer
|
4
|