|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:television_series
gptkb:television_adaptation
gptkb:film
|
|
gptkbp:adaptation_year
|
gptkb:1976
gptkb:2016
|
|
gptkbp:adaptations
|
gptkb:film_adaptation
gptkb:television_adaptation
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:author
|
gptkb:F._Scott_Fitzgerald
|
|
gptkbp:character
|
gptkb:Ruth
gptkb:Daisy_Devore
gptkb:Max_De_Winter
gptkb:Maximilian_Schell
gptkb:Cecilia_Brady
gptkb:Margo
gptkb:Murray
gptkb:Pat_Brady
Brady family
the actress
the director
the producer
the writer
Miss Lillian
Mr. Mc Gowan
Mr. Brady
Mr. Mc Gowan's wife
Mr. Stahr
Mr. Stahr's acquaintance
Mr. Stahr's adversary
Mr. Stahr's assistant
Mr. Stahr's business partner
Mr. Stahr's confidant
Mr. Stahr's employee
Mr. Stahr's friend
Mr. Stahr's love interest
Mr. Stahr's mentor
Mr. Stahr's rival
Miss Brady
the mogul
Mr. Stahr's competitor
Mr. Stahr's family member
Mr. Stahr's friend from childhood
Mr. Stahr's love from youth
Mr. Stahr's mentor from youth
Mr. Stahr's rival from youth
Mr. Stahr's secretary
|
|
gptkbp:character_arc
|
dynamic
tragic
|
|
gptkbp:character_development
|
gptkb:complex
|
|
gptkbp:character_monroe_stahr
|
based On Real Person
|
|
gptkbp:character_relationships
|
interpersonal conflicts
|
|
gptkbp:conflict
|
personal and professional life
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_analysis
|
extensive
|
|
gptkbp:critical_reception
|
mixed
|
|
gptkbp:cultural_impact
|
gptkb:significant
|
|
gptkbp:director
|
gptkb:Elia_Kazan
|
|
gptkbp:editor
|
gptkb:Edmund_Wilson
|
|
gptkbp:explores
|
romantic relationships
personal relationships
the pursuit of happiness
the role of women in society
wealth and power
the American Dream
the impact of fame
the nature of success
the cost of ambition
the nature of failure
Hollywood's impact on society
the illusion of the American Dream
|
|
gptkbp:f._scott_fitzgerald's_character_motivation
|
ambition and desire
|
|
gptkbp:f._scott_fitzgerald's_character_relationships
|
complicated
|
|
gptkbp:f._scott_fitzgerald's_characterization
|
rich and flawed
|
|
gptkbp:f._scott_fitzgerald's_characterization_of
|
the elite
|
|
gptkbp:f._scott_fitzgerald's_critique_of
|
Hollywood culture
|
|
gptkbp:f._scott_fitzgerald's_cultural_critique
|
American society
|
|
gptkbp:f._scott_fitzgerald's_exploration_of
|
wealth and power
|
|
gptkbp:f._scott_fitzgerald's_exploration_of_themes
|
identity and self-perception
|
|
gptkbp:f._scott_fitzgerald's_imagery
|
vivid
|
|
gptkbp:f._scott_fitzgerald's_influence
|
gptkb:literature
gptkb:film
American culture
modern literature
|
|
gptkbp:f._scott_fitzgerald's_last_work
|
gptkb:true
yes
|
|
gptkbp:f._scott_fitzgerald's_legacy
|
enduring
|
|
gptkbp:f._scott_fitzgerald's_narrative_focus_on
|
the film industry.
|
|
gptkbp:f._scott_fitzgerald's_narrative_structure
|
episodic
|
|
gptkbp:f._scott_fitzgerald's_narrative_technique
|
stream of consciousness
|
|
gptkbp:f._scott_fitzgerald's_narrative_voice
|
introspective
|
|
gptkbp:f._scott_fitzgerald's_perspective
|
cynical
|
|
gptkbp:f._scott_fitzgerald's_setting
|
1920s America
|
|
gptkbp:f._scott_fitzgerald's_style
|
gptkb:Modernist
|
|
gptkbp:f._scott_fitzgerald's_symbolism
|
the American Dream
|
|
gptkbp:f._scott_fitzgerald's_themes_of
|
loss and longing
|
|
gptkbp:f._scott_fitzgerald's_tone
|
bittersweet
|
|
gptkbp:f._scott_fitzgerald's_use_of
|
gptkb:dialogue
|
|
gptkbp:f._scott_fitzgerald's_writing_style
|
gptkb:Modernist
lyrical
|
|
gptkbp:film_editing
|
gptkb:Robert_De_Niro
gptkb:Francois_Truffaut
|
|
gptkbp:film_technique
|
gptkb:true
|
|
gptkbp:finish
|
gptkb:true
yes
|
|
gptkbp:genre
|
literary fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Love of the Last Tycoon
|
|
gptkbp:influence
|
gptkb:film_industry
gptkb:popular_culture
postmodern literature
|
|
gptkbp:influence_on
|
gptkb:film_industry
gptkb:popular_culture
American literature
|
|
gptkbp:influenced
|
American literature
postmodern literature
subsequent literature
film noir
subsequent writers
|
|
gptkbp:influenced_by
|
gptkb:the_Great_Depression
gptkb:The_Great_Gatsby
gptkb:modernism
gptkb:Hollywood
the film industry
F. Scott Fitzgerald's life
F. Scott Fitzgerald's life experiences
Fitzgerald's life experiences
|
|
gptkbp:inspiration
|
gptkb:Irving_Thalberg
gptkb:Hollywood's_Golden_Age
F. Scott Fitzgerald's experiences in Hollywood
|
|
gptkbp:inspired_by
|
F. Scott Fitzgerald's experiences in Hollywood
the life of Irving Thalberg
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_significance
|
high
|
|
gptkbp:main_character
|
gptkb:Monroe_Stahr
|
|
gptkbp:motif
|
gptkb:betrayal
romance
power dynamics
Hollywood glamour
|
|
gptkbp:narrative
|
third-person
fragmented
|
|
gptkbp:narrative_focus
|
gptkb:film_industry
Hollywood's golden age
Hollywood's elite
|
|
gptkbp:narrative_style
|
third-person
fragmented
uncompleted novel
|
|
gptkbp:narrative_theme
|
gptkb:identity
societal critique
disillusionment
|
|
gptkbp:notable_characters
|
gptkb:Daisy_Devore
gptkb:Cecilia_Brady
gptkb:Pat_Brady
|
|
gptkbp:notable_quote
|
" The last tycoon is a man who has everything but the one thing he wants."
|
|
gptkbp:notable_work
|
yes
|
|
gptkbp:part_of
|
F. Scott Fitzgerald's works
|
|
gptkbp:posthumous_recognition
|
gptkb:true
yes
|
|
gptkbp:protagonist
|
gptkb:Film_Director
|
|
gptkbp:published
|
1941
|
|
gptkbp:published_by
|
gptkb:Scribner
gptkb:Scribner's
|
|
gptkbp:published_in
|
gptkb:The_New_Yorker
1941
The Last Tycoon (book)
|
|
gptkbp:publisher
|
gptkb:Scribner
|
|
gptkbp:release_year
|
gptkb:1976
|
|
gptkbp:setting
|
gptkb:Hollywood
|
|
gptkbp:setting_time
|
1930s
|
|
gptkbp:style
|
gptkb:Modernist
lyrical
satirical
descriptive
|
|
gptkbp:symbolism
|
gptkb:power
gptkb:loss
gptkb:Hollywood
gptkb:American_Dream
gptkb:wealth
ambition
the tycoon as a symbol of excess
|
|
gptkbp:theme
|
gptkb:American_Dream
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:loss
gptkb:American_Dream
love
ambition
the American Dream
|
|
gptkbp:title
|
gptkb:The_Last_Tycoon
|
|
gptkbp:year
|
1930s
|
|
gptkbp:bfsParent
|
gptkb:F._Scott_Fitzgerald
|
|
gptkbp:bfsLayer
|
4
|