gptkbp:instanceOf
|
gptkb:film
|
gptkbp:author
|
gptkb:Charles_R._Jackson
|
gptkbp:awarded
|
gptkb:Academy_Award_for_Best_Adapted_Screenplay
gptkb:Academy_Award_for_Best_Director
gptkb:Academy_Award_for_Best_Picture
gptkb:Palme_d'Or
|
gptkbp:basedOn
|
gptkb:The_Lost_Weekend_(novel)
|
gptkbp:boxOfficeGross
|
$11 million (US rentals)
|
gptkbp:budget
|
$1.25 million
|
gptkbp:cinematography
|
gptkb:John_F._Seitz
|
gptkbp:colorProcess
|
black-and-white
|
gptkbp:countryOfOrigin
|
gptkb:United_States
|
gptkbp:criticalReception
|
acclaimed
|
gptkbp:director
|
gptkb:Billy_Wilder
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gptkbp:distributor
|
gptkb:Paramount_Pictures
|
gptkbp:editingBy
|
gptkb:Doane_Harrison
|
gptkbp:filmingLocation
|
gptkb:New_York_City
gptkb:Paramount_Studios,_Hollywood
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gptkbp:genre
|
drama
film noir
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Lost Weekend (film)
|
gptkbp:influenced
|
later addiction dramas
|
gptkbp:influencedBy
|
social realism
|
gptkbp:language
|
English
|
gptkbp:mainCharacter
|
gptkb:Ray_Milland
gptkb:Don_Birnam
|
gptkbp:musicBy
|
gptkb:Miklós_Rózsa
|
gptkbp:narrativeFocus
|
gptkb:Don_Birnam
|
gptkbp:nominatedFor
|
1946
|
gptkbp:notableFor
|
portrayal of addiction
|
gptkbp:notableScene
|
hallucination of bats and mice
|
gptkbp:palmeDOrYear
|
1946
|
gptkbp:preservedIn
|
gptkb:United_States_National_Film_Registry
|
gptkbp:producer
|
gptkb:Charles_Brackett
|
gptkbp:productionCompany
|
gptkb:Paramount_Pictures
|
gptkbp:releaseDate
|
November 16, 1945
|
gptkbp:runtime
|
101 minutes
|
gptkbp:screenwriter
|
gptkb:Billy_Wilder
gptkb:Charles_Brackett
|
gptkbp:series
|
none
|
gptkbp:setIn
|
gptkb:New_York_City
|
gptkbp:starring
|
gptkb:Howard_Da_Silva
gptkb:Jane_Wyman
gptkb:Phillip_Terry
gptkb:Ray_Milland
|
gptkbp:subject
|
alcoholism
|
gptkbp:theme
|
addiction
redemption
despair
|
gptkbp:bfsParent
|
gptkb:Charles_R._Jackson
gptkb:The_Lost_Weekend_(novel)
|
gptkbp:bfsLayer
|
6
|