|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:film
|
|
gptkbp:author
|
gptkb:Charles_Jackson
|
|
gptkbp:awards
|
gptkb:Academy_Award_for_Best_Actor
gptkb:Academy_Award_for_Best_Adapted_Screenplay
gptkb:Academy_Award_for_Best_Director
gptkb:Academy_Award_for_Best_Picture
|
|
gptkbp:based_on
|
gptkb:Charles_R._Jackson's_novel
gptkb:novel
novel by Charles R. Jackson
The Lost Weekend (novel)
|
|
gptkbp:box_office
|
$1.5 million
successful
|
|
gptkbp:character
|
gptkb:Don_Birnam
gptkb:Dr._D._M._Mc_Carty
gptkb:Helen_St._James
Willy
The bartender
Charlie.
The doctor.
Don Birnam.
Helen St. James.
The bartender.
|
|
gptkbp:character_arc
|
redemption
Don's journey through addiction
|
|
gptkbp:character_development
|
Don's struggle with addiction
|
|
gptkbp:character_motivation
|
escape from reality
|
|
gptkbp:character_relationships
|
self-destructive behavior
Don and Helen
Don vs. society
Don's relationships with others
|
|
gptkbp:character_traits
|
gptkb:vulnerability
|
|
gptkbp:characterized_by
|
complex characters
|
|
gptkbp:cinematography
|
gptkb:John_F._Seitz
|
|
gptkbp:cinematography_by
|
gptkb:John_F._Seitz
|
|
gptkbp:color
|
black and white
|
|
gptkbp:conflict
|
internal conflict
man vs. self
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_analysis
|
examines societal views on alcoholism
|
|
gptkbp:critical_reception
|
Highly acclaimed
positive
highly acclaimed
Highly acclaimed.
|
|
gptkbp:cultural_impact
|
influential in cinema
discussions on addiction
Influenced later films about addiction.
Influenced depictions of alcoholism in cinema.
influenced public perception of alcoholism
|
|
gptkbp:cultural_significance
|
Considered a classic of American cinema.
discussion of mental health
|
|
gptkbp:depicts
|
mental health challenges
relationship issues
struggles with addiction
The struggles of addiction.
|
|
gptkbp:directed_by
|
gptkb:Billy_Wilder
|
|
gptkbp:director
|
gptkb:Billy_Wilder
|
|
gptkbp:distributor
|
gptkb:Paramount_Pictures
|
|
gptkbp:edited_by
|
gptkb:Arthur_Schmidt
|
|
gptkbp:editing
|
gptkb:Arthur_Schmidt
|
|
gptkbp:element
|
the city as a character
|
|
gptkbp:features
|
flashbacks
Flashbacks.
Voice-over narration.
inner monologues
|
|
gptkbp:film_awards
|
gptkb:Best_Actor
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_series
|
gptkb:N/_A
|
|
gptkbp:filming_location
|
gptkb:New_York
|
|
gptkbp:first_edition
|
1944 edition
|
|
gptkbp:focus
|
struggle for control
|
|
gptkbp:genre
|
gptkb:Fiction
gptkb:drama
gptkb:thriller
romance
|
|
gptkbp:has_awards
|
gptkb:BAFTA_Awards
gptkb:Golden_Globe_Award
multiple Academy Awards
|
|
gptkbp:has_reception
|
critical acclaim
|
|
gptkbp:has_sequel
|
gptkb:none
|
|
gptkbp:historical_context
|
post-war America
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Lost Weekend
|
|
gptkbp:impact
|
resonates with readers
|
|
gptkbp:influenced
|
film noir
Film noir.
later works on addiction
Documentaries on addiction.
Later films about addiction.
Public perception of alcoholism.
|
|
gptkbp:influenced_by
|
gptkb:German_Expressionism
gptkb:Film_noir
real-life experiences of addiction
personal experiences of Charles Jackson
|
|
gptkbp:influences
|
American literature
Alcoholism awareness
|
|
gptkbp:inspiration
|
Real-life experiences of Charles R. Jackson.
Jackson's own struggles
|
|
gptkbp:inspired
|
subsequent films about addiction
Subsequent films on mental health.
|
|
gptkbp:is_considered
|
a classic film
|
|
gptkbp:is_symbolic_of
|
the bottle as a trap
|
|
gptkbp:isbn
|
978-1-5011-1234-5
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
considered a classic
Regarded as a pioneering film about addiction.
|
|
gptkbp:literary_significance
|
exploration of addiction
|
|
gptkbp:main_character
|
gptkb:Don_Birnam
|
|
gptkbp:motif
|
isolation
|
|
gptkbp:music
|
gptkb:Miklós_Rózsa
|
|
gptkbp:music_by
|
gptkb:Miklós_Rózsa
|
|
gptkbp:narrative
|
subjective viewpoint
linear progression
|
|
gptkbp:narrative_focus
|
alcoholism
|
|
gptkbp:narrative_style
|
first-person
flashbacks
|
|
gptkbp:narrative_theme
|
addiction and recovery
|
|
gptkbp:notable_quote
|
" I can't help it!"
" I can't stop drinking!"
" I want to be a writer!"
" I need a drink!"
" I can't face the world."
" It's a long weekend."
" I am a drunkard."
|
|
gptkbp:notable_scene
|
The ending.
The bottle scene.
The confrontation with Helen.
The flashback to childhood.
The meeting with the doctor.
|
|
gptkbp:page_count
|
320
|
|
gptkbp:plot
|
A writer's struggle with alcoholism.
a weekend of drinking
|
|
gptkbp:plot_twist
|
unexpected events
|
|
gptkbp:portrayed_in
|
the life of an alcoholic
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:premiered_on
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:preserved_by
|
gptkb:National_Film_Registry
|
|
gptkbp:produced_by
|
gptkb:Billy_Wilder
|
|
gptkbp:production_company
|
gptkb:Paramount_Pictures
|
|
gptkbp:protagonist
|
gptkb:Don_Birnam
|
|
gptkbp:published_by
|
gptkb:Charles_Scribner's_Sons
|
|
gptkbp:published_year
|
gptkb:1944
|
|
gptkbp:rank
|
among the greatest films of all time
|
|
gptkbp:rating
|
gptkb:PG
100% on Rotten Tomatoes
8.0/10 on IMDb
|
|
gptkbp:reader_demographic
|
varied perspectives
empathy for the protagonist
|
|
gptkbp:release_country
|
gptkb:United_States
|
|
gptkbp:release_date
|
gptkb:1971
April 1945
|
|
gptkbp:release_format
|
Theatrical release
|
|
gptkbp:release_year
|
1945
|
|
gptkbp:released
|
1945
|
|
gptkbp:released_in
|
1945
|
|
gptkbp:remake
|
gptkb:none
The Lost Weekend (1971)
|
|
gptkbp:runtime
|
101 minutes
|
|
gptkbp:screenplay
|
gptkb:Billy_Wilder
gptkb:Charles_Brackett
|
|
gptkbp:screenplay_by
|
gptkb:Charles_R._Jackson
gptkb:Billy_Wilder
gptkb:Charles_Brackett
|
|
gptkbp:set_in
|
gptkb:New_York_City
New York City.
|
|
gptkbp:setting
|
gptkb:New_York_City
|
|
gptkbp:setting_time
|
1940s
|
|
gptkbp:starring
|
gptkb:Ray_Milland
gptkb:Jane_Wyman
gptkb:Dorothy_Adams
gptkb:Phillip_Terry
gptkb:Dorothy_Comingore
gptkb:Philip_Terry
|
|
gptkbp:style
|
stream of consciousness
|
|
gptkbp:symbolism
|
the bottle
|
|
gptkbp:thematic_element
|
despair and hope
|
|
gptkbp:theme
|
gptkb:Isolation
gptkb:Redemption
gptkb:Despair
Addiction
alcoholism
|
|
gptkbp:themes
|
isolation
redemption
Isolation.
despair
Love.
Redemption.
Addiction.
Despair.
|
|
gptkbp:won
|
gptkb:Academy_Award_for_Best_Actor
gptkb:Academy_Award_for_Best_Adapted_Screenplay
gptkb:Academy_Award_for_Best_Director
|
|
gptkbp:won_award
|
gptkb:Academy_Award_for_Best_Actor
gptkb:Academy_Award_for_Best_Adapted_Screenplay
gptkb:Academy_Award_for_Best_Director
gptkb:Academy_Award_for_Best_Picture
gptkb:Cannes_Film_Festival_Best_Film
gptkb:Best_Picture_Academy_Award
|
|
gptkbp:bfsParent
|
gptkb:Billy_Wilder
gptkb:Jane_Wyman
gptkb:Miklos_Rozsa
|
|
gptkbp:bfsLayer
|
4
|