gptkbp:instance_of
|
gptkb:novel
|
gptkbp:adaptation
|
gptkb:radio_station
gptkb:stage_play
film adaptation proposed
|
gptkbp:author
|
gptkb:Robert_Hugh_Benson
|
gptkbp:character
|
gptkb:The_Pope
gptkb:The_Anti-Christ
The protagonist's love interest
|
gptkbp:conflict
|
gptkb:martyrdom
political oppression
|
gptkbp:critical_reception
|
mixed reviews
|
gptkbp:follows
|
The Light Invisible
|
gptkbp:genre
|
gptkb:science_fiction
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Lord of the World
|
gptkbp:influence
|
gptkb:Aldous_Huxley
gptkb:The_Matrix
gptkb:George_Orwell
gptkb:Philip_K._Dick
gptkb:Blade_Runner
gptkb:The_Terminator
gptkb:Ethics
gptkb:political_theory
Cultural studies
Literary criticism
Social commentary
Philosophy of religion
Christian fiction
Dystopian fiction
Speculative fiction
Theological studies
Catholic literature
|
gptkbp:inspired
|
gptkb:The_Handmaid's_Tale
|
gptkbp:isbn
|
978-1-84749-123-4
|
gptkbp:language
|
English
|
gptkbp:main_character
|
gptkb:Julian_Felsenburgh
|
gptkbp:narrative_style
|
third-person
|
gptkbp:notable_work
|
The Dawn of All
|
gptkbp:page_count
|
320
|
gptkbp:precedes
|
The Queen of the World
|
gptkbp:published
|
1907
|
gptkbp:published_by
|
gptkb:Hodder_&_Stoughton
|
gptkbp:setting
|
dystopian future
post-apocalyptic society
|
gptkbp:symbolism
|
gptkb:sacrifice
faith
redemption
|
gptkbp:theme
|
gptkb:politics
gptkb:religion
gptkb:technology
|
gptkbp:bfsParent
|
gptkb:World_of_Tiers_series
|
gptkbp:bfsLayer
|
6
|