|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:The_Deadly_Affair
gptkb:The_Spy_Who_Came_in_from_the_Cold
gptkb:Timothy_John_Le_Carre
gptkb:John_le_Carré
gptkb:M
|
|
gptkbp:adaptation
|
gptkb:none
not adapted
|
|
gptkbp:adapted_into
|
gptkb:none
|
|
gptkbp:author
|
gptkb:John_le_Carré
|
|
gptkbp:based_on
|
gptkb:novel
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:cast
|
gptkb:Peter_Cushing
gptkb:Michael_Gough
gptkb:Clive_Revill
gptkb:Christopher_Jones
gptkb:Anthony_Hopkins
gptkb:Richard_Johnson
gptkb:Derek_Jacobi
gptkb:Michael_Jayston
gptkb:Samantha_Eggar
gptkb:John_Le_Mesurier
gptkb:Robert_Hardy
gptkb:Graham_Crowden
John Barrard
|
|
gptkbp:character_arc
|
disillusionment
|
|
gptkbp:character_development
|
gptkb:launch_complex
|
|
gptkbp:character_relationships
|
gptkb:moral_ambiguity
strained
internal and external
interpersonal conflict
complex and layered
|
|
gptkbp:cinematography
|
gptkb:Oswald_Morris
|
|
gptkbp:composer
|
gptkb:John_Barry
|
|
gptkbp:conflict
|
gptkb:government_agency
political
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
mixed
|
|
gptkbp:cultural_impact
|
reflected Cold War tensions
|
|
gptkbp:director
|
gptkb:Frank_Pierson
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
|
gptkbp:editor
|
gptkb:John_Glen
|
|
gptkbp:filmography
|
100 minutes
|
|
gptkbp:genre
|
gptkb:High_School
spy fiction
|
|
gptkbp:historical_context
|
post-war Europe
|
|
gptkbp:historical_source
|
real espionage cases
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Looking Glass War
|
|
gptkbp:influence
|
Cold War literature
|
|
gptkbp:influenced_artists
|
influenced spy genre.
|
|
gptkbp:influenced_by
|
gptkb:World_War_II
|
|
gptkbp:influences
|
gptkb:James_Bond_series
|
|
gptkbp:inspired_by
|
real events
|
|
gptkbp:is_characterized_by
|
detailed
|
|
gptkbp:is_critical_for
|
examines morality
|
|
gptkbp:is_motivated_by
|
patriotism
|
|
gptkbp:is_symbolic_of
|
reflection of society
|
|
gptkbp:isbn
|
978-0-14-003200-5
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_devices
|
foreshadowing
|
|
gptkbp:main_character
|
gptkb:government_agency
gptkb:Leclerc
|
|
gptkbp:motif
|
gptkb:betrayal
|
|
gptkbp:narrative_style
|
third-person
omniscient
suspenseful
|
|
gptkbp:narrative_theme
|
trust and deception
|
|
gptkbp:page_count
|
256
|
|
gptkbp:plot
|
non-linear
intelligence failure
Espionage and intelligence operations.
|
|
gptkbp:plot_twist
|
unexpected outcomes
|
|
gptkbp:predecessor
|
gptkb:The_Spy_Who_Came_in_from_the_Cold
|
|
gptkbp:production_company
|
gptkb:Columbia_Pictures
|
|
gptkbp:published_by
|
gptkb:1970
hardcover
|
|
gptkbp:publisher
|
Heinemann
|
|
gptkbp:reader_demographic
|
thought-provoking
intellectually stimulating
|
|
gptkbp:release_date
|
1970-12-01
|
|
gptkbp:release_year
|
gptkb:1970
|
|
gptkbp:role
|
agents and operatives
|
|
gptkbp:screenplay_by
|
gptkb:Frank_Pierson
|
|
gptkbp:setting
|
gptkb:Monarch
|
|
gptkbp:significance
|
explores espionage ethics
|
|
gptkbp:style
|
realism
|
|
gptkbp:successor
|
gptkb:Tinker_Tailor_Soldier_Spy
|
|
gptkbp:symbolism
|
the looking glass
|
|
gptkbp:thematic_element
|
loyalty and betrayal
|
|
gptkbp:theme
|
espionage
the cost of war
|
|
gptkbp:year
|
1960s
|