|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:The_Lodger
|
|
gptkbp:art_style
|
noir
|
|
gptkbp:audience
|
60%
|
|
gptkbp:based_on
|
novel by Marie Belloc Lowndes
|
|
gptkbp:box_office
|
$1.2 million
|
|
gptkbp:budget
|
$3 million
|
|
gptkbp:character
|
gptkb:Detective
gptkb:The_Lodger
gptkb:The_Landlady
The Girlfriend
|
|
gptkbp:character_arc
|
Detective's investigation
The Girlfriend's loyalty
The Landlady's secrets
The Lodger's journey
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:cinematography
|
gptkb:Michael_Mc_Donough
|
|
gptkbp:composer
|
gptkb:John_Frizzell
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:director
|
gptkb:David_Ondaatje
|
|
gptkbp:distributor
|
gptkb:Magnolia_Pictures
|
|
gptkbp:editor
|
gptkb:David_Ondaatje
|
|
gptkbp:film_festival
|
gptkb:Sundance_Film_Festival_2009
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:film_score
|
gptkb:John_Frizzell
|
|
gptkbp:filming_location
|
gptkb:California
|
|
gptkbp:filmography
|
100 minutes
independent film
|
|
gptkbp:genre
|
gptkb:film
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Lodger (2009 film)
|
|
gptkbp:influenced_by
|
gptkb:Jack_the_Ripper
gptkb:The_Lodger_(1927_film)
|
|
gptkbp:language
|
English
|
|
gptkbp:narrative_style
|
suspenseful
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:production_company
|
gptkb:Magnolia_Pictures
|
|
gptkbp:rating
|
5.5/10
|
|
gptkbp:release_date
|
2009-01-01
|
|
gptkbp:release_format
|
digital
theatrical
|
|
gptkbp:release_region
|
gptkb:United_States
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenings
|
Sundance 2009
|
|
gptkbp:screenplay_by
|
gptkb:David_Ondaatje
|
|
gptkbp:setting
|
gptkb:Los_Angeles
|
|
gptkbp:starring
|
gptkb:Simon_Baker
gptkb:Alfred_Molina
gptkb:Hope_Davis
|
|
gptkbp:target_audience
|
thriller fans
|
|
gptkbp:theme
|
gptkb:legal_case
|
|
gptkbp:themes
|
isolation
paranoia
identity crisis
|