|
gptkbp:instance_of
|
gptkb:seafood
gptkb:short_story
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
|
|
gptkbp:author
|
gptkb:David_Foster_Wallace
|
|
gptkbp:award
|
gptkb:Un_Certain_Regard
|
|
gptkbp:awards
|
gptkb:Cannes_Film_Festival_Jury_Prize
Nominated for Academy Award for Best Original Screenplay
Best Film at the European Film Awards
|
|
gptkbp:box_office
|
18 million USD
$18.1 million
|
|
gptkbp:budget
|
$4 million
$4.5 million
4 million USD
|
|
gptkbp:cast
|
gptkb:Rachel_Weisz
gptkb:John_C._Reilly
gptkb:Colin_Farrell
gptkb:Jessica_Barden
gptkb:Angeliki_Papoulia
|
|
gptkbp:character
|
gptkb:David
gptkb:The_Dog
gptkb:The_Loner
gptkb:John
gptkb:The_Leader
gptkb:Rachel
The Hotel Manager
The Man with the Moustache
The Heartless Woman
The Limping Man
The Short-Sighted Woman
|
|
gptkbp:cinematography
|
gptkb:Thimios_Bakatakis
|
|
gptkbp:cinematography_by
|
gptkb:Thimios_Bakatakis
|
|
gptkbp:conflict
|
individual vs. society
|
|
gptkbp:country
|
gptkb:Greece
gptkb:Ireland
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
Positive
Positive reviews
positive reviews
cult following
|
|
gptkbp:cultural_impact
|
Cult film
Cult Film
Discussion on Relationships
Dystopian Genre
|
|
gptkbp:directed_by
|
gptkb:Yorgos_Lanthimos
|
|
gptkbp:director
|
gptkb:Yorgos_Lanthimos
|
|
gptkbp:distributor
|
gptkb:A24
gptkb:Curzon_Artificial_Eye
|
|
gptkbp:edited_by
|
Yorgos Mavropsaridis
|
|
gptkbp:editing
|
Yorgos Mavropsaridis
|
|
gptkbp:explores
|
themes of love
|
|
gptkbp:features
|
absurdist humor
|
|
gptkbp:features_character
|
gptkb:David
gptkb:Rachel_Weisz
gptkb:Colin_Farrell
gptkb:John_C._Reilly's_Character
gptkb:Rachel
|
|
gptkbp:film_awards
|
gptkb:Cannes_Film_Festival_Jury_Prize
Best Director at the European Film Awards
Best Film at the European Film Awards
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
gptkb:Cannes_Film_Festival_2015
gptkb:Toronto_International_Film_Festival_2015
gptkb:New_York_Film_Festival_2015
|
|
gptkbp:filming_location
|
gptkb:Greece
gptkb:Ireland
gptkb:United_Kingdom
|
|
gptkbp:genre
|
gptkb:romantic_comedy
gptkb:science_fiction
gptkb:satire
Romantic comedy
black comedy
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
Digital download
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Lobster
|
|
gptkbp:influence
|
modern literature
|
|
gptkbp:influenced_by
|
gptkb:The_Discreet_Charm_of_the_Bourgeoisie
gptkb:Dogtooth
gptkb:The_Killing_of_a_Sacred_Deer
gptkb:The_Favourite
The Lobster (short story)
|
|
gptkbp:influences
|
gptkb:The_Favourite_(2018)
gptkb:Absurdism
gptkb:Surrealism
Dark comedy
Dystopian fiction
Dogtooth (2009)
The Killing of a Sacred Deer (2017)
The Lobster (2015)
|
|
gptkbp:inspiration
|
social commentary
human relationships
philosophical questions
|
|
gptkbp:inspired_by
|
The Lobster (short story)
|
|
gptkbp:is_set_in
|
near future
|
|
gptkbp:language
|
English
|
|
gptkbp:length
|
gptkb:short_story
|
|
gptkbp:literary_devices
|
gptkb:satire
gptkb:absurdism
gptkb:allegory
irony
|
|
gptkbp:main_character
|
a man facing societal pressure
|
|
gptkbp:motif
|
relationships
|
|
gptkbp:music
|
Johnnie Burn
|
|
gptkbp:music_by
|
gptkb:Ariel_Kleiman
Johnnie Burn
|
|
gptkbp:narrative_style
|
gptkb:Surrealism
third-person
|
|
gptkbp:plot
|
In a dystopian future, single people must find a romantic partner in 45 days or be transformed into animals.
Single people must find a romantic partner in 45 days or be transformed into animals.
In a dystopian society, single people must find a romantic partner in 45 days or be transformed into animals.
|
|
gptkbp:premiere_date
|
2015-05-21
|
|
gptkbp:premiered_on
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Film4_Productions
gptkb:Lanthimos_Films
gptkb:Andrew_Lowe
gptkb:Ed_Guiney
gptkb:Element_Pictures
|
|
gptkbp:production_company
|
gptkb:Lanthimos_Films
gptkb:Element_Pictures
|
|
gptkbp:publication
|
gptkb:print
digital
|
|
gptkbp:publication_year
|
gptkb:2005
|
|
gptkbp:published_in
|
gptkb:The_New_Yorker
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:reader_demographic
|
thought-provoking
challenging societal norms
evokes discussion
|
|
gptkbp:release_country
|
gptkb:Greece
gptkb:Ireland
gptkb:United_Kingdom
gptkb:United_States
|
|
gptkbp:release_date
|
gptkb:2015
May 15, 2015
October 16, 2015
|
|
gptkbp:release_year
|
gptkb:2015
|
|
gptkbp:released_in
|
gptkb:2015
|
|
gptkbp:runtime
|
118 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Yorgos_Lanthimos
gptkb:Efthymis_Filippou
|
|
gptkbp:sequel
|
gptkb:None
|
|
gptkbp:set_in
|
Near future
|
|
gptkbp:setting
|
a dystopian society
|
|
gptkbp:sound
|
darkly humorous
|
|
gptkbp:soundtrack
|
gptkb:The_Lobster_(soundtrack)
|
|
gptkbp:starring
|
gptkb:Michael_Smiley
gptkb:Ashley_Jensen
gptkb:Rachel_Weisz
gptkb:Ben_Whishaw
gptkb:John_C._Reilly
gptkb:Colin_Farrell
gptkb:Lea_Seydoux
gptkb:Jessica_Barden
gptkb:Angeliki_Papoulia
|
|
gptkbp:symbolism
|
lobsters
|
|
gptkbp:theme
|
gptkb:Isolation
gptkb:identity
gptkb:transformation
Love and relationships
Societal norms
absurdity
Societal pressure
|
|
gptkbp:themes
|
gptkb:Isolation
gptkb:Love
gptkb:identity
gptkb:transformation
Societal Pressure
|
|
gptkbp:won_award
|
gptkb:Cannes_Film_Festival
gptkb:Cannes_Film_Festival_Best_Screenplay
gptkb:Cannes_Jury_Prize
gptkb:BAFTA_Awards
gptkb:Golden_Globe_Award
|
|
gptkbp:writer
|
gptkb:Yorgos_Lanthimos
gptkb:Efthymis_Filippou
|
|
gptkbp:bfsParent
|
gptkb:Jeff_Koons
|
|
gptkbp:bfsLayer
|
3
|