|
gptkbp:instance_of
|
gptkb:James_Bond_films
gptkb:Track_and_Field
gptkb:song
gptkb:short_story
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
character changes from story to film
plot changes from story to film
setting changes from story to film
|
|
gptkbp:album
|
gptkb:The_Living_Daylights_(soundtrack)
The Singles 1984–2004
|
|
gptkbp:aspect_ratio
|
2.35:1
|
|
gptkbp:associated_act
|
gptkb:a-ha
|
|
gptkbp:associated_with
|
James Bond themes
|
|
gptkbp:audience
|
positive reviews
|
|
gptkbp:author
|
gptkb:Ian_Fleming
|
|
gptkbp:awards
|
gptkb:Academy_Award_nomination
Grammy nomination
BAFTA nominations
|
|
gptkbp:b-side
|
gptkb:The_Living_Daylights_(instrumental)
|
|
gptkbp:based_on
|
gptkb:James_Bond
gptkb:James_Bond_novels
Short story by Ian Fleming
Ian Fleming's short story
The Living Daylights (short story)
Short stories by Ian Fleming
a story by Ian Fleming
|
|
gptkbp:box_office
|
$191.2 million
186.5 million USD
|
|
gptkbp:budget
|
$40 million
|
|
gptkbp:character
|
gptkb:Necros
gptkb:Moneypenny
gptkb:Robert_Brown
gptkb:Pushkin
gptkb:James_Bond
gptkb:Brad_Whitaker
gptkb:Q
gptkb:General_Georgi_Koskov
gptkb:Kara_Milovy
gptkb:M
gptkb:Miss_Moneypenny
gptkb:007
Saunders
|
|
gptkbp:character_appearance
|
First appearance of Timothy Dalton as James Bond
|
|
gptkbp:character_development
|
James Bond's character
|
|
gptkbp:chart_performance
|
international hit
|
|
gptkbp:chart_position
|
#5 in UK Singles Chart
|
|
gptkbp:cinematography
|
gptkb:Alan_Hume
|
|
gptkbp:composed_by
|
gptkb:John_Barry
|
|
gptkbp:costume_design
|
Ruth Myers
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:cover_version
|
performed by various artists
|
|
gptkbp:critical_analysis
|
gptkb:moral_ambiguity
character motivations
Cold War themes
|
|
gptkbp:critical_reception
|
Mixed reviews
mixed reviews
|
|
gptkbp:cultural_impact
|
Cult following
influence on literature
popular in 1980s
parodied in various media
influence on film adaptations
influenced later spy films
influenced later Bond films
Influential in the spy genre
influence on later spy stories
|
|
gptkbp:cultural_references
|
in various media
|
|
gptkbp:design
|
gptkb:Peter_Lamont
|
|
gptkbp:director
|
gptkb:John_Glen
gptkb:Albert_R._Broccoli
|
|
gptkbp:distributor
|
gptkb:United_Artists
gptkb:MGM/_UA_Entertainment_Company
gptkb:Metro-Goldwyn-Mayer
|
|
gptkbp:edited_by
|
gptkb:John_Glen
gptkb:John_Grover
|
|
gptkbp:editing
|
gptkb:John_Glen
|
|
gptkbp:editor
|
gptkb:John_Glen
|
|
gptkbp:fan_base
|
a-ha fans
|
|
gptkbp:featured_in
|
gptkb:James_Bond_films
various compilations
|
|
gptkbp:film
|
gptkb:Maryam_d'_Abo
gptkb:Timothy_Dalton
gptkb:Jeroen_Krabbé
gptkb:Joe_Don_Baker
gptkb:The_Living_Daylights
|
|
gptkbp:film_appearance
|
The Living Daylights (1987 film)
|
|
gptkbp:film_awards
|
BAFTA Award nomination
|
|
gptkbp:film_editing
|
gptkb:John_Glen
gptkb:John_Grover
|
|
gptkbp:film_festival
|
gptkb:London_Film_Festival
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_length
|
130 minutes
|
|
gptkbp:film_series
|
gptkb:James_Bond_Series
gptkb:Eon_Productions
gptkb:James_Bond
gptkb:James_Bond_series
gptkb:James_Bond_film_series
|
|
gptkbp:film_theme_song
|
The Living Daylights by A-ha
|
|
gptkbp:filming_location
|
gptkb:Tangier
gptkb:Afghanistan
gptkb:London
gptkb:London,_England
gptkb:Morocco
gptkb:Prague
gptkb:Vienna
gptkb:Vienna,_Austria
gptkb:Pinewood_Studios
|
|
gptkbp:first_published
|
gptkb:Playboy_magazine
|
|
gptkbp:followed_by
|
gptkb:Licence_to_Kill
gptkb:Crying_in_the_Rain
|
|
gptkbp:follows
|
gptkb:A_View_to_a_Kill
|
|
gptkbp:franchise
|
gptkb:James_Bond
gptkb:James_Bond_franchise
|
|
gptkbp:genre
|
gptkb:Espionage
gptkb:Michael_Kamen
gptkb:action
gptkb:adventure
gptkb:thriller
pop
synth-pop
spy fiction
|
|
gptkbp:has_prequel
|
gptkb:A_View_to_a_Kill
|
|
gptkbp:home_media_release
|
gptkb:VHS
gptkb:DVD
gptkb:Blu-ray
Digital
VHS, DVD, Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Living Daylights
|
|
gptkbp:influenced
|
pop music of the era
|
|
gptkbp:influenced_artists
|
gptkb:Duran_Duran
|
|
gptkbp:influenced_by
|
gptkb:James_Bond_franchise
|
|
gptkbp:influences
|
gptkb:James_Bond_franchise
spy genre
Cold War themes
Spy genre conventions
|
|
gptkbp:inspiration
|
Ian Fleming's short story
|
|
gptkbp:inspired_by
|
Ian Fleming's character
|
|
gptkbp:is_a
|
James Bond Film
|
|
gptkbp:is_cited_in
|
music history discussions
|
|
gptkbp:label
|
gptkb:Warner_Bros._Records
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
iconic Bond song
influential in spy fiction
part of Bond's literary canon
|
|
gptkbp:length
|
4:10
|
|
gptkbp:live_performance
|
a-ha concert
|
|
gptkbp:main_actor
|
gptkb:Timothy_Dalton
|
|
gptkbp:main_character
|
gptkb:James_Bond
|
|
gptkbp:makeup_artist
|
gptkb:Nick_Dudman
|
|
gptkbp:music
|
gptkb:Michael_Kamen
|
|
gptkbp:music_by
|
gptkb:Michael_Kamen
|
|
gptkbp:music_composer
|
gptkb:Michael_Kamen
|
|
gptkbp:music_genre
|
new wave
|
|
gptkbp:music_style
|
synth-driven sound
|
|
gptkbp:music_video
|
gptkb:The_Living_Daylights_(music_video)
|
|
gptkbp:music_video_director
|
gptkb:Steve_Barron
|
|
gptkbp:narrative
|
third-person
linear
|
|
gptkbp:narrative_style
|
action-oriented
character-driven
suspenseful
|
|
gptkbp:notable_aspect
|
use of practical effects
Use of practical effects
first appearance of Timothy Dalton as James Bond
theme song by A-ha
First appearance of Timothy Dalton as James Bond
Cameo by Roger Moore as James Bond in a previous film.
Cinematography by Alan Hume
Costume design by Rachael Fleming
Critical reception was generally positive
Dalton's portrayal was praised
Editing by John Glen
Features a cello-playing Bond girl
Features a mix of action and espionage elements
Filming locations include Austria and Morocco
Includes a memorable chase scene
Incorporates Cold War themes
Introduces a new Bond car, the Aston Martin V8
Part of the long-running James Bond franchise
Production design by Peter Lamont
Return to a more serious tone
Soundtrack released by A& M Records
Theme song performed by A-ha
Visual effects by John Richardson
Timothy Dalton's debut as James Bond
|
|
gptkbp:notable_for
|
European charts
James Bond theme song
|
|
gptkbp:notable_performance
|
gptkb:MTV_Music_Awards
|
|
gptkbp:notable_scene
|
Opening sequence
The chase in Vienna
The final confrontation in Afghanistan
|
|
gptkbp:notable_song
|
gptkb:The_Living_Daylights_Theme
' The living daylights'
If There Was a Man
Where Has Everybody Gone?
|
|
gptkbp:part_of
|
gptkb:Octopussy_and_The_Living_Daylights
|
|
gptkbp:performed_by
|
gptkb:a-ha
gptkb:A-ha
|
|
gptkbp:performed_in
|
multiple occasions
|
|
gptkbp:plot
|
double agents
arms dealing
Bond's confrontation with General Koskov
Bond's mission in Afghanistan
Bond's relationship with Kara Milovy
|
|
gptkbp:plot_twist
|
Kara's true allegiance
|
|
gptkbp:preceded_by
|
gptkb:Take_On_Me
gptkb:A_View_to_a_Kill
|
|
gptkbp:precedes
|
gptkb:Licence_to_Kill
|
|
gptkbp:predecessor
|
gptkb:A_View_to_a_Kill
gptkb:Scoundrel_Days
|
|
gptkbp:producer
|
gptkb:John_Barry
gptkb:Albert_R._Broccoli
|
|
gptkbp:production_company
|
gptkb:Eon_Productions
|
|
gptkbp:publication
|
gptkb:anthology
|
|
gptkbp:published_in
|
gptkb:1962
|
|
gptkbp:rating
|
gptkb:PG
|
|
gptkbp:record_label
|
gptkb:Warner_Music_Group
|
|
gptkbp:recorded_by
|
gptkb:a-ha
|
|
gptkbp:recorded_in
|
gptkb:1986
|
|
gptkbp:release_country
|
gptkb:Norway
gptkb:United_Kingdom
gptkb:United_States
|
|
gptkbp:release_date
|
gptkb:1987
1987-07-31
1987-06-29
|
|
gptkbp:release_format
|
Theatrical
theatrical
theatrical release
|
|
gptkbp:release_year
|
gptkb:1987
|
|
gptkbp:released
|
gptkb:1987
gptkb:soundtrack
|
|
gptkbp:released_as_single
|
gptkb:1987
|
|
gptkbp:released_in
|
gptkb:1987
|
|
gptkbp:remastered
|
2000s edition
|
|
gptkbp:runtime
|
130 minutes
|
|
gptkbp:screenplay
|
gptkb:Richard_Maibaum
|
|
gptkbp:screenplay_by
|
gptkb:Michael_G._Wilson
gptkb:Richard_Maibaum
|
|
gptkbp:sequel
|
gptkb:Licence_to_Kill
|
|
gptkbp:series
|
gptkb:James_Bond
|
|
gptkbp:setting
|
gptkb:Afghanistan
gptkb:Cold_War
gptkb:Vienna
Cold War era
|
|
gptkbp:songwriters
|
gptkb:A-ha
|
|
gptkbp:soundtrack
|
gptkb:The_Living_Daylights_(soundtrack)
|
|
gptkbp:special_effects
|
gptkb:John_Richardson
|
|
gptkbp:starring
|
gptkb:Maryam_d'_Abo
gptkb:John_Rhys-Davies
gptkb:Timothy_Dalton
gptkb:Jeroen_Krabbé
gptkb:Joe_Don_Baker
|
|
gptkbp:studio
|
gptkb:Air_Studios
|
|
gptkbp:succeeded_by
|
gptkb:Licence_to_Kill
|
|
gptkbp:successor
|
gptkb:Licence_to_Kill
gptkb:Stay_on_These_Roads
|
|
gptkbp:symbolism
|
light and darkness
freedom and captivity
trust and deception
|
|
gptkbp:theme
|
gptkb:betrayal
gptkb:loyalty
gptkb:The_Living_Daylights
The Living Daylights (song)
|
|
gptkbp:visual_effects
|
gptkb:John_Richardson
|
|
gptkbp:writer
|
gptkb:Pål_Waaktaar
gptkb:John_Barry
gptkb:Magne_Furuholmen
|
|
gptkbp:bfsParent
|
gptkb:John_Barry
gptkb:Ian_Fleming
gptkb:Bonds
gptkb:OPI
|
|
gptkbp:bfsLayer
|
4
|