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gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:art_style
|
gptkb:Robert_M._Haas
High contrast lighting
|
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gptkbp:artist
|
gptkb:Ben_Nye
|
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gptkbp:artistic_influence
|
Film noir aesthetics
|
|
gptkbp:audience
|
Cult following
Not rated
|
|
gptkbp:based_on
|
Short story by James M. Cain
|
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gptkbp:box_office
|
$1 million
|
|
gptkbp:character_appearance
|
Milo Anderson
|
|
gptkbp:character_arc
|
gptkb:Redemption_arc
|
|
gptkbp:character_development
|
Complex characters
|
|
gptkbp:character_relationships
|
Internal struggles
Complicated dynamics
|
|
gptkbp:cinematography
|
gptkb:Charles_Lawton_Jr.
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
Mixed reviews
|
|
gptkbp:cultural_impact
|
Influenced later crime dramas
|
|
gptkbp:design
|
gptkb:Robert_M._Haas
|
|
gptkbp:director
|
gptkb:Elliott_Nugent
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
|
gptkbp:editor
|
gptkb:Richard_C._Meyer
|
|
gptkbp:film_festival
|
Screened at various festivals
|
|
gptkbp:film_score
|
gptkb:Miklós_Rózsa
|
|
gptkbp:filming_location
|
gptkb:Los_Angeles,_California
|
|
gptkbp:filmography
|
gptkb:Richard_C._Meyer
|
|
gptkbp:follows
|
gptkb:The_Postman_Always_Rings_Twice
|
|
gptkbp:genre
|
gptkb:High_School
|
|
gptkbp:has_cameo
|
None known
|
|
gptkbp:historical_context
|
Post-war America
|
|
gptkbp:home_media_release
|
DVD and Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Little Things in Life (1948)
|
|
gptkbp:influenced_artists
|
Crime drama
|
|
gptkbp:influenced_by
|
gptkb:German_Expressionism
|
|
gptkbp:influences
|
gptkb:Film_noir
|
|
gptkbp:inspired_by
|
Real-life events
|
|
gptkbp:is_critical_for
|
Examined for its themes
|
|
gptkbp:is_criticized_for
|
Mixed reviews from critics
|
|
gptkbp:is_decorated_with
|
gptkb:Robert_M._Haas
|
|
gptkbp:is_motivated_by
|
Desire for love
|
|
gptkbp:language
|
English
Sharp and witty
|
|
gptkbp:legacy
|
Cult classic status
|
|
gptkbp:music_by
|
gptkb:Miklós_Rózsa
|
|
gptkbp:narrative_style
|
Non-linear storytelling
|
|
gptkbp:notable_appearance
|
Climactic confrontation
|
|
gptkbp:photography
|
Innovative techniques
|
|
gptkbp:plot_twist
|
Surprising revelations
|
|
gptkbp:precedes
|
gptkb:Mildred_Pierce
|
|
gptkbp:production_company
|
gptkb:Columbia_Pictures
|
|
gptkbp:release_date
|
April 1948
|
|
gptkbp:release_year
|
1948
|
|
gptkbp:remake
|
None known
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplay_by
|
gptkb:James_M._Cain
|
|
gptkbp:sound
|
gptkb:John_E._Mc_Carthy
|
|
gptkbp:soundtrack
|
Miklós Rózsa's score
|
|
gptkbp:starring
|
gptkb:Edmund_O'_Brien
gptkb:John_Lund
gptkb:Evelyn_Keyes
|
|
gptkbp:themes
|
Love and betrayal
|
|
gptkbp:writer
|
gptkb:James_M._Cain
|
|
gptkbp:bfsParent
|
gptkb:Yoshitomo_Nara
|
|
gptkbp:bfsLayer
|
3
|