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gptkbp:instance_of
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gptkb:film
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gptkbp:bfsLayer
|
3
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gptkbp:bfsParent
|
gptkb:Yoshitomo_Nara
|
|
gptkbp:box_office
|
$20 million
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|
gptkbp:budget
|
$30 million
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gptkbp:character
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gptkb:Jim_Baxter
gptkb:Albert_Sparma
gptkb:Joe_Deacon
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|
gptkbp:cinematography
|
gptkb:Maryse_Alberti
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gptkbp:country
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gptkb:United_States
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|
gptkbp:critical_reception
|
mixed reviews
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gptkbp:director
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gptkb:John_Lee_Hancock
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gptkbp:distributor
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gptkb:Warner_Bros._Pictures
|
|
gptkbp:editor
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Robert Frazen
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gptkbp:film_festival
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gptkb:Sundance_Film_Festival_2002
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|
gptkbp:filming_location
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gptkb:California
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gptkbp:genre
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gptkb:Police_Department
gptkb:High_School
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
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The Little Things (2002)
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|
gptkbp:influences
|
gptkb:Detective
gptkb:moral_ambiguity
gptkb:Police_Department
gptkb:mythological_figure
gptkb:book
ethical questions
dark themes
psychological thriller
moral dilemmas
human nature
narrative complexity
film noir
crime drama
emotional turmoil
moral conflict
psychological depth
psychological conflict
detective work
human psychology
personal demons
crime investigation
character study
past traumas
thematic depth
moral choices
redemption arc
character flaws
crime motives
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gptkbp:language
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English
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gptkbp:music_by
|
gptkb:Thomas_Newman
|
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gptkbp:narrative_style
|
non-linear
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|
gptkbp:plot
|
A deputy sheriff and a killer's investigation.
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|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:production_company
|
gptkb:Warner_Bros._Pictures
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:release_date
|
gptkb:2002
|
|
gptkbp:release_format
|
theatrical
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|
gptkbp:release_region
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gptkb:United_States
|
|
gptkbp:runtime
|
128 minutes
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|
gptkbp:screenplay_by
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gptkb:John_Lee_Hancock
|
|
gptkbp:starring
|
gptkb:Rami_Malek
gptkb:Denzel_Washington
gptkb:Jared_Joseph_Leto
|
|
gptkbp:theme
|
obsession
redemption
guilt
|