|
gptkbp:instance_of
|
gptkb:play
|
|
gptkbp:adaptation
|
gptkb:television_series
gptkb:theatre
gptkb:radio_station
gptkb:film
stage productions
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:audience
|
popular among students
performed in schools
|
|
gptkbp:author
|
gptkb:Wole_Soyinka
|
|
gptkbp:awards
|
gptkb:Nigerian_Literary_Award
|
|
gptkbp:character_development
|
Baroka's cunning
Jero's ambition
Sidi's transformation
|
|
gptkbp:character_relationships
|
Baroka and Jero
Baroka vs Jero
Sidi and Baroka
Sidi and Jero
Sidi vs Baroka
Sidi vs Jero
|
|
gptkbp:conflict
|
traditional vs modern values
|
|
gptkbp:critical_reception
|
well-received
|
|
gptkbp:cultural_impact
|
gptkb:post-colonial_Nigeria
highlighted gender issues
influenced African theatre
promoted Yoruba culture
traditional Yoruba society
|
|
gptkbp:cultural_significance
|
Nigerian literature
explores gender roles
depicts rural life in Nigeria
|
|
gptkbp:famous_quote
|
“ The lion does not turn around when a small dog barks.”
|
|
gptkbp:genre
|
gptkb:musical
|
|
gptkbp:historical_context
|
cultural renaissance in Africa
independence movement in Nigeria
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Lion and the Jewel
|
|
gptkbp:influenced
|
subsequent Nigerian playwrights
|
|
gptkbp:influenced_by
|
African oral traditions
|
|
gptkbp:influences
|
gptkb:African_theatre
post-colonial literature
|
|
gptkbp:ingredients
|
gptkb:political_movement
gptkb:Author
gptkb:Film_Director
gptkb:playwright
gptkb:literary_work
gptkb:poet
social commentator
intellectual
advocate for democracy
advocate for human rights
influential writer
first African laureate of the Nobel Prize in Literature
Nobel Prize in Literature winner
|
|
gptkbp:inspiration
|
African mythology
Yoruba folklore
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Baroka
gptkb:Sidi
Jero
|
|
gptkbp:narrative_style
|
non-linear
satirical
symbolic elements
poetic dialogue
|
|
gptkbp:notable_character
|
gptkb:Baroka
gptkb:Sidi
the village women
Lakunle
|
|
gptkbp:notable_performance
|
gptkb:Royal_Court_Theatre
gptkb:National_Theatre_of_Nigeria
|
|
gptkbp:performance
|
performed internationally
traditional African theatre
modern theatre techniques
|
|
gptkbp:performed_by
|
gptkb:University_of_Ibadan
|
|
gptkbp:premiered_on
|
gptkb:1959
|
|
gptkbp:published_by
|
gptkb:University
|
|
gptkbp:set_in
|
gptkb:Politician
|
|
gptkbp:setting
|
gptkb:Politician
|
|
gptkbp:style
|
lyrical
satirical
|
|
gptkbp:symbolism
|
the lion
the jewel
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:award
social change
modernity
power dynamics
gender roles
colonial legacy
tradition vs modernity
|
|
gptkbp:translated_into
|
gptkb:French
gptkb:Spanish
gptkb:Native_American_tribe
|
|
gptkbp:written_by
|
gptkb:Wole_Soyinka
|
|
gptkbp:bfsParent
|
gptkb:Wole_Soyinka
|
|
gptkbp:bfsLayer
|
3
|