gptkbp:instance_of
|
gptkb:novel
|
gptkbp:adaptation
|
gptkb:miniseries
|
gptkbp:adaptation_year
|
gptkb:2006
|
gptkbp:author
|
gptkb:Alan_Hollinghurst
|
gptkbp:awards
|
gptkb:Booker_Prize
|
gptkbp:character_development
|
Nick's identity
Nick's relationships
Nick's social status
|
gptkbp:collection
|
Private Collection
|
gptkbp:conflict
|
gptkb:conflict
internal conflict
social conflict
|
gptkbp:created_in
|
gptkb:2005
|
gptkbp:critical_reception
|
acclaimed
|
gptkbp:cultural_references
|
gptkb:British_politics
AIDS crisis
1980s art scene
|
gptkbp:dimensions
|
Variable
|
gptkbp:features
|
Vibrant Colors
Bold Lines
Stylized Portraits
|
gptkbp:film_editing
|
no
|
gptkbp:genre
|
literary fiction
|
gptkbp:has_written
|
gptkb:Alan_Hollinghurst
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Line of Beauty
|
gptkbp:influences
|
gptkb:E._M._Forster
gptkb:Henry_James
|
gptkbp:inspiration
|
Hollinghurst's own experiences
|
gptkbp:is_a
|
gptkb:artwork
|
gptkbp:is_displayed_in
|
Art Galleries
|
gptkbp:is_influenced_by
|
Art Movements
Cultural Trends
|
gptkbp:is_part_of
|
Julian Opie's Body of Work
|
gptkbp:is_recognized_as
|
Significant Artwork
|
gptkbp:isbn
|
978-0316733602
|
gptkbp:language
|
English
|
gptkbp:literary_significance
|
examines class structure
explores gay identity
reflects on the 1980s
|
gptkbp:main_character
|
gptkb:Nick_Guest
|
gptkbp:medium
|
Digital Print
|
gptkbp:motif
|
gptkb:art
gptkb:architecture
gptkb:music
|
gptkbp:narrative
|
first-person
|
gptkbp:narrative_style
|
lyrical
satirical
descriptive
|
gptkbp:page_count
|
gptkb:368
|
gptkbp:protagonist
|
gptkb:Nick_Guest
|
gptkbp:published
|
gptkb:2004
|
gptkbp:publisher
|
gptkb:Picador
|
gptkbp:reader_demographic
|
positive
controversial
thought-provoking
|
gptkbp:setting
|
gptkb:Thatcher's_Britain
1980s London
|
gptkbp:style
|
Contemporary
|
gptkbp:symbolism
|
beauty
class disparity
sexual freedom
|
gptkbp:themes
|
gptkb:class
gptkb:politics
sexuality
|
gptkbp:bfsParent
|
gptkb:Julian_Opie
gptkb:Alan_Hollinghurst
|
gptkbp:bfsLayer
|
4
|