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gptkbp:instance_of
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gptkb:artwork
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gptkbp:bfsLayer
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4
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gptkbp:bfsParent
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gptkb:Anthony_Mc_Call
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gptkbp:associated_with
|
Victorian morality
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gptkbp:collection
|
The Lever Art Gallery Collection
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gptkbp:color
|
vibrant colors
|
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gptkbp:constructed_in
|
gptkb:Victorian_era
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gptkbp:created_by
|
gptkb:William_Holman_Hunt
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gptkbp:cultural_significance
|
gptkb:statue
|
|
gptkbp:depicted_in
|
literature and poetry
prints and postcards
in galleries worldwide
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gptkbp:depicts
|
gptkb:philosopher
|
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gptkbp:dimensions
|
36 in × 24 in
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gptkbp:exhibited_at
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gptkb:High_School
|
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gptkbp:has
|
analyzed in art critiques
|
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gptkbp:has_influence_on
|
religious iconography
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Light of the World LXXIV
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gptkbp:influenced
|
later religious artworks
|
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gptkbp:influenced_artists
|
gptkb:John_Everett_Millais
|
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gptkbp:influenced_by
|
gptkb:award
|
|
gptkbp:inspiration
|
gptkb:Revelation_3:20
|
|
gptkbp:inspired
|
modern interpretations of Christ
|
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gptkbp:is_associated_with
|
the Pre-Raphaelite movement
|
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gptkbp:is_considered
|
a masterpiece of its time
|
|
gptkbp:is_considered_as
|
a significant work in Christian art
|
|
gptkbp:is_featured_in
|
art exhibitions
|
|
gptkbp:is_part_of
|
art history curriculum
|
|
gptkbp:is_recognized_by
|
gptkb:art_historians
|
|
gptkbp:is_symbolic_of
|
faith and belief
|
|
gptkbp:location
|
gptkb:Lady_Lever_Art_Gallery
|
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gptkbp:medium
|
gptkb:oil_on_canvas
|
|
gptkbp:movement
|
gptkb:Pre-Raphaelite_Brotherhood
|
|
gptkbp:notable_features
|
door with no handle
|
|
gptkbp:notable_for
|
its intricate details
|
|
gptkbp:part_of
|
Pre-Raphaelite collection
|
|
gptkbp:portrayed_by
|
Christ's invitation to humanity
|
|
gptkbp:represents
|
hope and redemption
|
|
gptkbp:style
|
Victorian art
|
|
gptkbp:subject
|
gptkb:Christ_knocking_at_the_door
|
|
gptkbp:symbolism
|
light as divine presence
|
|
gptkbp:technique
|
detailed realism
|
|
gptkbp:themes
|
spiritual awakening
|
|
gptkbp:year_created
|
1853
|