gptkbp:instance_of
|
gptkb:painting
|
gptkbp:bfsLayer
|
5
|
gptkbp:bfsParent
|
gptkb:Jacques-Louis_David
gptkb:French_Academy_of_Painting_and_Sculpture
|
gptkbp:art_movement
|
gptkb:Neoclassicism
|
gptkbp:art_style
|
gptkb:church
dramatic lighting
linear perspective
emotional expressions
moral choices
dramatic realism
sacrifice for the state
suffering and loss
foreground and background contrast
emphasis on human figures
|
gptkbp:artist
|
gptkb:Jacques-Louis_David
|
gptkbp:artistic_influence
|
influenced modern interpretations of history
David's other works
|
gptkbp:artistic_legacy
|
influential in art history
|
gptkbp:color
|
muted colors
|
gptkbp:composed_of
|
balanced composition
|
gptkbp:cultural_impact
|
inspired later artworks
|
gptkbp:cultural_significance
|
depicts moral dilemmas
|
gptkbp:depicts
|
Brutus and his sons
|
gptkbp:dimensions
|
3.25 m × 4.25 m
329 cm × 422 cm
|
gptkbp:exhibition
|
gptkb:Louvre_Museum
|
gptkbp:focus
|
figures of Brutus and his sons
|
gptkbp:historical_context
|
gptkb:French_Revolution
gptkb:Monarch
fall of the Roman monarchy
|
gptkbp:historical_event
|
gptkb:Monarch
|
gptkbp:historical_figure
|
gptkb:Lucius_Junius_Brutus
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Lictors Bring to Brutus the Bodies of His Sons
|
gptkbp:influence
|
gptkb:Neoclassicism
|
gptkbp:influenced_artists
|
19th-century art
|
gptkbp:influenced_by
|
Renaissance art
|
gptkbp:inspiration
|
gptkb:Plutarch's_Lives
|
gptkbp:location
|
gptkb:Palais_des_Beaux-Arts,_Lille
Palazzo Brera
|
gptkbp:medium
|
gptkb:oil_on_canvas
|
gptkbp:mood
|
tragic
grief
|
gptkbp:movement
|
gptkb:Neoclassicism
|
gptkbp:narrative_style
|
the consequences of political decisions
|
gptkbp:notable_feature
|
dramatic composition
|
gptkbp:size
|
large scale
|
gptkbp:stations
|
well-received by critics
|
gptkbp:style
|
Neoclassical style
|
gptkbp:subject
|
Roman history
|
gptkbp:symbolism
|
gptkb:Saint
the bodies of the sons
the lictors
|
gptkbp:technique
|
chiaroscuro
|
gptkbp:themes
|
patriotism
loyalty and betrayal
|
gptkbp:year_created
|
1789
|