The Legacy of Color: Washington Color School
GPTKB entity
Statements (42)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:art_movement
|
gptkbp:associated_with |
art education programs
local galleries color field painting Washington Color School artists' collective Washington D. C. art institutions |
gptkbp:characterized_by |
vibrant colors
large-scale canvases |
gptkbp:criticism |
recognized for innovation
celebrated for color use noted for abstraction |
gptkbp:cultural_significance |
contribution to modern art
representation of African American artists |
gptkbp:exemplifies |
color theory
minimalism |
gptkbp:exhibitions |
Washington Color School exhibition at the Corcoran Gallery
|
gptkbp:exhibits |
dynamic compositions
|
gptkbp:impact |
gptkb:contemporary_art
|
gptkbp:influenced |
later art movements
Washington D. C. art scene |
gptkbp:influenced_by |
gptkb:Abstract_Expressionism
|
gptkbp:legacy |
influence on future artists
influence on public art influence on art education influence on art criticism |
gptkbp:notable_artists |
gptkb:Sam_Gilliam
gptkb:Howard_Mehring gptkb:Paul_Reed gptkb:Thomas_Downing |
gptkbp:notable_exhibitions |
The Legacy of Color exhibition
|
gptkbp:notable_works |
Howard Mehring's color field paintings
Paul Reed's color compositions Sam Gilliam's draped canvases Thomas Downing's shaped canvases |
gptkbp:origin |
gptkb:Washington,_D._C.
|
gptkbp:related_to |
Washington Color School artists
|
gptkbp:style |
non-representational art
|
gptkbp:technique |
staining
pouring paint |
gptkbp:time_period |
1950s to 1970s
|
gptkbp:bfsParent |
gptkb:Washington_Color_School
|
gptkbp:bfsLayer |
5
|