gptkbp:instance_of
|
gptkb:film
|
gptkbp:bfsLayer
|
4
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gptkbp:bfsParent
|
gptkb:Paul_Leonard_Newman
|
gptkbp:art_style
|
noir elements
|
gptkbp:audience
|
mixed reviews
|
gptkbp:awards
|
gptkb:none
|
gptkbp:based_on
|
play by Gore Vidal
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gptkbp:box_office
|
$2.5 million
$1.5 million
|
gptkbp:budget
|
$1.5 million
|
gptkbp:character
|
gptkb:Pat_Garrett
gptkb:Billy_the_Kid
gptkb:Doc_Holliday
gptkb:Katherine
|
gptkbp:character_arc
|
Billy the Kid's rise and fall
|
gptkbp:character_development
|
Billy the Kid's perspective
|
gptkbp:character_relationships
|
Billy and his enemies
Billy and his friends
Billy and lawmen
Billy and women
|
gptkbp:cinematography
|
gptkb:Burnett_Guffey
|
gptkbp:color
|
Black and white
|
gptkbp:country
|
gptkb:United_States
|
gptkbp:critical_reception
|
mixed reviews
|
gptkbp:cultural_impact
|
cult following
influenced later Western films
|
gptkbp:cultural_significance
|
depiction of outlaws
|
gptkbp:design
|
period-accurate sets
|
gptkbp:directed_by
|
gptkb:Arthur_Penn
|
gptkbp:director
|
gptkb:Arthur_Penn
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
gptkbp:edited_by
|
gptkb:Donn_Cambern
|
gptkbp:editor
|
gptkb:Dede_Allen
|
gptkbp:features
|
gptkb:historical_event
|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:Cannes_Film_Festival_1958
|
gptkbp:film_score
|
gptkb:Leonard_Rosenman
|
gptkbp:filming_location
|
gptkb:New_Mexico
|
gptkbp:filmography
|
gptkb:Dede_Allen
|
gptkbp:follows
|
gptkb:Billy_the_Kid
|
gptkbp:genre
|
Western
|
gptkbp:historical_figure
|
gptkb:Billy_the_Kid
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Left Handed Gun
|
gptkbp:influenced_by
|
gptkb:church
gptkb:historical_event
gptkb:moral_ambiguity
gptkb:mythological_figure
American literature
cultural narratives
character arcs
visual storytelling
character motivations
historical accuracy
historical dramas
noir films
psychological themes
classic Westerns
dramatic tension
character studies
American West mythology
cinematic storytelling techniques
Western genre conventions
symbolism in film
Gore Vidal's writing style
Gore Vidal's writing
|
gptkbp:influences
|
American Western genre
|
gptkbp:inspiration
|
gptkb:historical_event
historical figure Billy the Kid
|
gptkbp:is_motivated_by
|
survival and revenge
|
gptkbp:language
|
English
|
gptkbp:legacy
|
influential Western film
|
gptkbp:music
|
gptkb:Leonard_Rosenman
|
gptkbp:music_by
|
gptkb:Leonard_Rosenman
|
gptkbp:narrative_style
|
non-linear
|
gptkbp:notable_quote
|
" I’m not a killer, I’m a gunfighter."
" I don't want to die!"
|
gptkbp:performance
|
loose adaptation
|
gptkbp:premiere
|
gptkb:film_festival
gptkb:Cannes_Film_Festival_1958
|
gptkbp:production_company
|
gptkb:Columbia_Pictures
|
gptkbp:release_date
|
gptkb:1958
April 1958
|
gptkbp:release_format
|
theatrical
|
gptkbp:release_region
|
gptkb:United_States
|
gptkbp:released_in
|
gptkb:1958
|
gptkbp:remake
|
gptkb:none
|
gptkbp:runtime
|
102 minutes
|
gptkbp:screenplay_by
|
gptkb:Gore_Vidal
gptkb:Leslie_Stevens
|
gptkbp:set_in
|
gptkb:New_Mexico
|
gptkbp:setting
|
gptkb:New_Mexico
|
gptkbp:soundtrack
|
gptkb:Leonard_Rosenman
|
gptkbp:starring
|
gptkb:Paul_Leonard_Newman
gptkb:Hugh_O'_Brian
gptkb:John_Dehner
gptkb:Joanne_Woodward
|
gptkbp:theme
|
gptkb:TV_series
gptkb:betrayal
gptkb:revenge
gptkb:Community_Center
law and order
|
gptkbp:themes
|
morality and justice
friendship and betrayal
identity and legacy
freedom and lawlessness
|