gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
gptkbp:bfsLayer
|
4
|
gptkbp:bfsParent
|
gptkb:Robert_Fletcher
|
gptkbp:adaptation
|
gptkb:1966
gptkb:film
|
gptkbp:artist
|
gptkb:CEO
|
gptkbp:aspect_ratio
|
1.85:1
|
gptkbp:author
|
gptkb:Mickey_Spillane
|
gptkbp:awards
|
gptkb:CEO
|
gptkbp:based_on
|
gptkb:CEO
The Last of the Secret Agents (novel)
|
gptkbp:box_office
|
$1.5 million
$500,000
$1 million
|
gptkbp:cast
|
gptkb:Diane_Mc_Bain
gptkb:John_Marley
gptkb:Mickey_Spillane
gptkb:Robert_F._Simon
gptkb:Rodger_Bumpass
|
gptkbp:character_appearance
|
gptkb:CEO
|
gptkbp:character_development
|
Mike Hammer evolves throughout the series.
|
gptkbp:cinematography
|
gptkb:William_H._Daniels
gptkb:László_Kovács
|
gptkbp:color
|
gptkb:color
|
gptkbp:conflict
|
man vs. society
man vs. self
man vs. man
|
gptkbp:country
|
gptkb:United_States
|
gptkbp:critical_reception
|
Mixed reviews
mixed reviews
|
gptkbp:cultural_impact
|
inspired other media
Parody of spy genre
|
gptkbp:design
|
gptkb:CEO
|
gptkbp:directed_by
|
gptkb:Mickey_Rooney
|
gptkbp:director
|
gptkb:Maurice_Gibb
gptkb:George_Armitage
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
gptkb:American_International_Pictures
|
gptkbp:edited_by
|
gptkb:Richard_C._Meyer
|
gptkbp:film_festival
|
gptkb:CEO
|
gptkbp:film_score
|
PG-13
|
gptkbp:film_series
|
gptkb:CEO
|
gptkbp:filming_location
|
gptkb:California
gptkb:Los_Angeles
|
gptkbp:filmography
|
gptkb:Richard_C._Meyer
gptkb:CEO
English
90 minutes
|
gptkbp:followed_by
|
gptkb:CEO
gptkb:The_Last_of_the_Secret_Agents_2
The Killing Man
|
gptkbp:genre
|
gptkb:musical
gptkb:Detective
gptkb:Les_Baxter
gptkb:film
|
gptkbp:has_cameo
|
gptkb:CEO
|
gptkbp:home_media_release
|
gptkb:DJ
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Last of the Secret Agents
|
gptkbp:influences
|
gptkb:Detective
gptkb:Casino
hardboiled fiction
|
gptkbp:inspiration
|
Spy comedies
|
gptkbp:isbn
|
978-0-425-21780-0
|
gptkbp:language
|
English
|
gptkbp:legacy
|
Cult classic status
|
gptkbp:main_character
|
gptkb:Detective
gptkb:Agent_11
gptkb:Mike_Hammer
Agent 00
|
gptkbp:motif
|
gptkb:betrayal
gptkb:loyalty
violence
|
gptkbp:music_by
|
gptkb:The_Bee_Gees
gptkb:Leslie_Bricusse
|
gptkbp:narrative_style
|
first-person
|
gptkbp:notable_quote
|
" The only thing I ever wanted was to be a good cop."
|
gptkbp:page_count
|
192
|
gptkbp:plot
|
Two bumbling secret agents are sent on a mission.
|
gptkbp:preceded_by
|
gptkb:The_Girl_Hunters
|
gptkbp:premiere_date
|
1966-11-30
|
gptkbp:production_company
|
gptkb:Mickey_Rooney_Productions
gptkb:American_International_Pictures
|
gptkbp:production_years
|
1966-05-01
1966-06-15
|
gptkbp:published_year
|
gptkb:1963
|
gptkbp:publisher
|
gptkb:E._P._Dutton
|
gptkbp:release_date
|
August 1966
1966-12-01
|
gptkbp:release_format
|
Theatrical
|
gptkbp:release_year
|
gptkb:1966
August 1966
|
gptkbp:runtime
|
90 minutes
|
gptkbp:screenplay_by
|
gptkb:Mickey_Rooney
gptkb:Robert_L._Joseph
gptkb:George_Armitage
gptkb:original
|
gptkbp:series
|
gptkb:Mike_Hammer_series
|
gptkbp:setting
|
gptkb:Borough
1960s
|
gptkbp:sound
|
gptkb:CEO
|
gptkbp:soundtrack
|
gptkb:CEO
|
gptkbp:starring
|
gptkb:Joan_Collins
gptkb:Buddy_Hackett
gptkb:Mickey_Rooney
gptkb:Don_Adams
|
gptkbp:themes
|
gptkb:historical_event
gptkb:justice
gptkb:revenge
|
gptkbp:visual_effects
|
gptkb:CEO
|