|
gptkbp:instance_of
|
gptkb:literary_work
|
|
gptkbp:adaptation
|
gptkb:Trevor_Jones
|
|
gptkbp:adaptation_year
|
gptkb:1992
|
|
gptkbp:adapted_into
|
gptkb:television_series
gptkb:film
|
|
gptkbp:antagonist
|
gptkb:Magua
|
|
gptkbp:cast
|
gptkb:Michael_Mann
|
|
gptkbp:cinematography
|
gptkb:Philippe_Rousselot
|
|
gptkbp:conflict
|
colonial tensions
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
gptkb:film_adaptations
American literature
historical understanding
|
|
gptkbp:features_character
|
gptkb:Hawkeye
gptkb:Chingachgook
gptkb:Uncas
|
|
gptkbp:film_editing
|
gptkb:Madeline_Stowe
gptkb:Daniel_Day-Lewis
gptkb:Russell_Means
|
|
gptkbp:genre
|
gptkb:historical_fiction
|
|
gptkbp:influenced
|
Western genre
Native American representation
|
|
gptkbp:influenced_by
|
gptkb:historical_events
gptkb:American_Romanticism
gptkb:Romanticism
Transcendentalism
nature writing
historical novels
American nationalism
|
|
gptkbp:language
|
English
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:part_of
|
gptkb:The_Last_of_the_Mohicans
|
|
gptkbp:plot
|
gptkb:search_and_rescue
|
|
gptkbp:protagonist
|
gptkb:Hawkeye
|
|
gptkbp:published_by
|
Harpers
|
|
gptkbp:published_in
|
1826
|
|
gptkbp:set_in
|
gptkb:French_and_Indian_War
|
|
gptkbp:setting
|
gptkb:North_America
|
|
gptkbp:symbolism
|
the wilderness
the frontier
|
|
gptkbp:themes
|
gptkb:loyalty
gptkb:survival
gptkb:conflict
|
|
gptkbp:won_award
|
gptkb:Academy_Award_nomination
Golden Globe nomination
BAFTA nomination
|
|
gptkbp:written_by
|
gptkb:James_Fenimore_Cooper
|
|
gptkbp:bfsParent
|
gptkb:Thomas_Cole
|
|
gptkbp:bfsLayer
|
5
|