Properties (60)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
play
|
| gptkbp:adaptation |
film adaptation
adapted into various formats |
| gptkbp:adaptedInto |
radio play
|
| gptkbp:alumni |
numerous revivals
|
| gptkbp:artMovement |
uses symbolism and irony
|
| gptkbp:associatedWith |
family dynamics
|
| gptkbp:audience |
popular among audiences
engages audience emotionally left a lasting impression on audiences open to interpretation by audiences |
| gptkbp:author |
gptkb:J._M._Barrie
|
| gptkbp:characterArc |
Mrs._Cheyne's_transformation
|
| gptkbp:characterDevelopment |
complex characters
Mrs._Cheyne's_journey |
| gptkbp:characterTraits |
desire for freedom
moral dilemmas faced by characters dynamic interactions between characters flawed characters characters symbolize societal roles |
| gptkbp:conflict |
personal vs. societal expectations
ambiguous ending |
| gptkbp:criticalReception |
mixed reviews
analyzed in literature courses |
| gptkbp:culturalHeritage |
reflects cultural attitudes of the time
remains a significant work in theatre history |
| gptkbp:culturalImpact |
influenced later works
|
| gptkbp:culturalSignificance |
reflects societal issues
|
| gptkbp:filmography |
gptkb:British_theatre
|
| gptkbp:genre |
drama
|
| gptkbp:hasFunction |
three-act structure
themes of love and sacrifice contains elements of dramatic irony high tension throughout |
| gptkbp:hasPerformance |
Duke of York's Theatre
|
| gptkbp:historicalContext |
analyzed in historical context
turn of the 20th century |
| gptkbp:historicalSignificance |
important work of its time
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Last of Mrs. Cheyne
|
| gptkbp:influenced |
influenced playwrights
|
| gptkbp:influenceOn |
inspired feminist themes
|
| gptkbp:influences |
Victorian_society
|
| gptkbp:inspiration |
real-life events
|
| gptkbp:language |
English
|
| gptkbp:length |
three acts
|
| gptkbp:mainCharacter |
Mrs._Cheyne
|
| gptkbp:motif |
isolation
|
| gptkbp:notableArtists |
featured prominent actors
|
| gptkbp:notableEvent |
1910 revival
|
| gptkbp:notableFeature |
performed in various countries
|
| gptkbp:notableQuote |
"I am not a woman to be trifled with."
|
| gptkbp:premieredOn |
1900
|
| gptkbp:publishedBy |
gptkb:Hodder_&_Stoughton
|
| gptkbp:setting |
gptkb:England
|
| gptkbp:soundtrack |
uses various theatrical techniques
|
| gptkbp:style |
naturalism
|
| gptkbp:symbolism |
the sea
|
| gptkbp:thematicElement |
identity and self-discovery
explores themes of duty and desire |
| gptkbp:theme |
social class
|