Statements (49)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
novel
|
| gptkbp:adaptation |
film
theatre radio play |
| gptkbp:author |
gptkb:Christopher_Isherwood
|
| gptkbp:character |
gptkb:William_Bradshaw
the narrator Mr._Norris Mr._Norris's_acquaintances |
| gptkbp:characterDevelopment |
complex characters
|
| gptkbp:conflict |
political tension
|
| gptkbp:criticalReception |
positive
|
| gptkbp:followedBy |
Goodbye to Berlin
|
| gptkbp:genre |
Fiction
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Last of Mr. Norris
|
| gptkbp:influence |
historical narrative
cultural studies literary criticism historical fiction social realism narrative theory queer theory biographical fiction Christopher_Isherwood's_later_works |
| gptkbp:influenced |
LGBT literature
modernist literature post-war literature |
| gptkbp:influencedBy |
gptkb:Weimar_Republic
German_literature |
| gptkbp:ISBN |
978-0-14-118763-0
|
| gptkbp:language |
English
|
| gptkbp:mainCharacter |
Mr._Norris
|
| gptkbp:motif |
betrayal
friendship identity deception |
| gptkbp:narrativeStyle |
first-person
|
| gptkbp:notableQuote |
Mr._Norris_is_a_man_of_many_parts.
|
| gptkbp:pageCount |
224
|
| gptkbp:publishedBy |
1935
|
| gptkbp:publishedIn |
gptkb:United_Kingdom
|
| gptkbp:publisher |
gptkb:Secker_&_Warburg
|
| gptkbp:setting |
gptkb:Berlin
1930s Berlin |
| gptkbp:style |
realism
|
| gptkbp:symbolism |
the cabaret scene
the_rise_of_Nazism Berlin_as_a_character |
| gptkbp:theme |
social change
|