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gptkbp:instance_of
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gptkb:painting
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gptkbp:bfsLayer
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6
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gptkbp:bfsParent
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gptkb:The_Pre-Raphaelites_and_the_Victorian_Vision
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gptkbp:art_style
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gptkb:musical_composition
gptkb:historical_event
lighting
glazing
emotional depth
color contrast
layering
perspective
visual storytelling
symbolic elements
social critique
emotional resonance
brushwork
narrative quality
thematic depth
cultural reflection
emphasis on detail
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gptkbp:artist
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gptkb:John_Everett_Millais
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gptkbp:color
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muted colors
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gptkbp:cultural_impact
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reflected societal issues
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gptkbp:depicts
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a couple leaving England
a ship leaving port
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gptkbp:dimensions
|
76.2 cm × 127.3 cm
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gptkbp:exhibitions
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gptkb:High_School
|
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gptkbp:features
|
dark waters
stormy sky
a woman and child
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|
https://www.w3.org/2000/01/rdf-schema#label
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The Last of England (Millais)
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gptkbp:influenced
|
later artists
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gptkbp:influenced_by
|
gptkb:John_Constable
gptkb:J._M._W._Turner
|
|
gptkbp:influences
|
gptkb:award
|
|
gptkbp:inspiration
|
personal experience
|
|
gptkbp:is_criticized_for
|
mixed reviews
|
|
gptkbp:location
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gptkb:Tate_Britain
|
|
gptkbp:medium
|
gptkb:oil_on_canvas
|
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gptkbp:movement
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gptkb:Pre-Raphaelite_Brotherhood
|
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gptkbp:notable_features
|
emotional expression
|
|
gptkbp:part_of
|
gptkb:Tate_collection
|
|
gptkbp:significance
|
social commentary
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gptkbp:style
|
Victorian art
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gptkbp:subject
|
emigration
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|
gptkbp:symbolism
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loss and nostalgia
|
|
gptkbp:technique
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realism
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:High_School
hope
despair
|
|
gptkbp:year_created
|
1851
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