gptkbp:instance_of
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gptkb:film
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gptkbp:bfsLayer
|
4
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gptkbp:bfsParent
|
gptkb:James_Fox
|
gptkbp:aspect_ratio
|
1.66:1
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gptkbp:awards
|
nominated for awards
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gptkbp:box_office
|
limited release
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gptkbp:cast
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gptkb:Tilda_Swinton
gptkb:Lindsay_Duncan
gptkb:Nigel_Davenport
gptkb:Richard_O'_Brien
John Quentin
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gptkbp:cinematography
|
gptkb:James_Mackay
|
gptkbp:color
|
gptkb:color
|
gptkbp:country
|
gptkb:United_Kingdom
|
gptkbp:critical_reception
|
mixed reviews
|
gptkbp:cultural_impact
|
cult following
|
gptkbp:depicts
|
social issues
political issues
cultural issues
|
gptkbp:director
|
gptkb:Derek_Jarman
|
gptkbp:distributor
|
Artificial Eye
|
gptkbp:editor
|
gptkb:James_Mackay
|
gptkbp:features
|
metaphors
symbolism
poetic imagery
|
gptkbp:film_festival
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gptkb:film_festival
|
gptkbp:filming_location
|
gptkb:England
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gptkbp:genre
|
gptkb:High_School
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Last of England (1987)
|
gptkbp:influenced
|
queer cinema
postmodern film
|
gptkbp:influenced_by
|
gptkb:film
British cinema
art movements
political movements
LGBTQ+ activism
experimental theater
punk culture
avant-garde film
|
gptkbp:inspiration
|
personal experiences
|
gptkbp:language
|
English
|
gptkbp:music
|
Simon Fisher Turner
|
gptkbp:narrative_style
|
non-linear
|
gptkbp:notable_for
|
experimental style
|
gptkbp:premiere
|
gptkb:1987_Cannes_Film_Festival
|
gptkbp:production_company
|
gptkb:Jarman_Films
|
gptkbp:release_format
|
gptkb:DJ
gptkb:collection
gptkb:film
|
gptkbp:release_year
|
gptkb:1987
|
gptkbp:runtime
|
85 minutes
|
gptkbp:screenplay_by
|
gptkb:Derek_Jarman
|
gptkbp:theme
|
British identity
|