|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:none
|
|
gptkbp:author
|
gptkb:Taylor_Adams
Taylor Adams is a writer.
Taylor Adams is known for thrillers.
|
|
gptkbp:available_formats
|
gptkb:book
ebook
hardcover
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:box_office
|
$1.2 million
$1.5 million
|
|
gptkbp:budget
|
$10 million
|
|
gptkbp:character
|
gptkb:Harriet_Lauler
gptkb:Megan
gptkb:Wendy
gptkb:Dave
gptkb:Martha
gptkb:Zachary
gptkb:Diane
Anne Sherman
Mr. Lauler
|
|
gptkbp:character_arc
|
gptkb:launch_complex
|
|
gptkbp:character_development
|
gptkb:significant
|
|
gptkbp:character_relationships
|
dynamic
strained
|
|
gptkbp:cinematography
|
gptkb:Michael_Grady
|
|
gptkbp:climax
|
intense confrontation
|
|
gptkbp:conflict
|
man vs. nature
man vs. self
man vs. man
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:covered_by
|
cover image available
|
|
gptkbp:critical_reception
|
Mixed reviews
positive
|
|
gptkbp:directed_by
|
gptkb:Mark_Pellington
|
|
gptkbp:distributor
|
gptkb:A24
|
|
gptkbp:edited_by
|
gptkb:David_Rosenbloom
gptkb:Michael_Taylor
|
|
gptkbp:film_festival
|
gptkb:Sundance_Film_Festival_2017
|
|
gptkbp:filming_location
|
gptkb:California
gptkb:Los_Angeles
|
|
gptkbp:first_published
|
popular choice
|
|
gptkbp:followed_by
|
gptkb:No_Exit
|
|
gptkbp:genre
|
gptkb:musical
gptkb:High_School
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Last Word (2017)
|
|
gptkbp:impact
|
high
|
|
gptkbp:influenced_by
|
gptkb:The_Hundred-Foot_Journey
gptkb:The_Best_Exotic_Marigold_Hotel
gptkb:About_Time
gptkb:The_Intern
gptkb:The_Bucket_List
The Last Word (2017) (film)
The Last Word (2017) (novel)
|
|
gptkbp:influences
|
gptkb:Detective
mystery novels
psychological thrillers
|
|
gptkbp:isbn
|
978-0062851104
|
|
gptkbp:language
|
English
realistic
|
|
gptkbp:literary_devices
|
flashbacks
imagery
foreshadowing
|
|
gptkbp:main_character
|
Keira
|
|
gptkbp:motif
|
gptkb:betrayal
gptkb:survival
gptkb:Trust
|
|
gptkbp:music_by
|
gptkb:John_Swihart
gptkb:John_Debney
|
|
gptkbp:narrative_style
|
first-person
|
|
gptkbp:next_edition
|
2017 edition
|
|
gptkbp:number_of_books
|
gptkb:tank
|
|
gptkbp:page_count
|
gptkb:368
|
|
gptkbp:plot
|
An aging writer tries to control the narrative of her life.
An elderly woman hires a young writer to help her compose her own obituary.
|
|
gptkbp:plot_summary
|
a woman trapped in a remote location
|
|
gptkbp:plot_twist
|
unexpected
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:produced_by
|
gptkb:Mark_Pellington
gptkb:Brett_Ratner
|
|
gptkbp:published_year
|
gptkb:2017
|
|
gptkbp:publisher
|
gptkb:Harper_Collins
|
|
gptkbp:rating
|
PG-13
|
|
gptkbp:reader_demographic
|
high
|
|
gptkbp:release_date
|
March 10, 2017
|
|
gptkbp:release_format
|
Theatrical
|
|
gptkbp:released
|
gptkb:2017
March 10, 2017
|
|
gptkbp:resolution
|
open-ended
|
|
gptkbp:runtime
|
108 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Mark_Pellington
gptkb:Stacy_Sherman
|
|
gptkbp:series
|
standalone
|
|
gptkbp:setting
|
gptkb:Washington_State
vivid
|
|
gptkbp:speed
|
fast-paced
|
|
gptkbp:starring
|
gptkb:Ann_Jewel_Lee_Dixon
gptkb:Margo_Martindale
gptkb:Amanda_Seyfried
gptkb:Thomas_Sadoski
gptkb:Shirley_Mac_Laine
|
|
gptkbp:style
|
suspenseful
|
|
gptkbp:symbolism
|
gptkb:tank
darkness
|
|
gptkbp:target_audience
|
adult readers
|
|
gptkbp:theme
|
gptkb:Community_Center
gptkb:archaeological_site
Family relationships
Self-discovery
Life and death
|
|
gptkbp:themes
|
gptkb:revenge
gptkb:survival
isolation
fear.
moral dilemmas.
trust issues.
|
|
gptkbp:user_reviews
|
generally favorable
|
|
gptkbp:written_by
|
gptkb:Stacy_Sherman
|
|
gptkbp:bfsParent
|
gptkb:Brittany_Murphy
gptkb:Juliet_Blake
|
|
gptkbp:bfsLayer
|
4
|