|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Diane_Wiest
gptkb:The_Angels
gptkb:Tulsi_Gabbard
gptkb:Winona_Ryder
gptkb:Lindsay_Lohan
gptkb:Katherine_Heigl
gptkb:Dita_Von_Teese
gptkb:Liam_Neeson
|
|
gptkbp:artist
|
gptkb:John_Debney
|
|
gptkbp:audience
|
50% on Rotten Tomatoes
|
|
gptkbp:based_on
|
original story by Stacy Sherman
|
|
gptkbp:box_office
|
$1.2 million
|
|
gptkbp:budget
|
$10 million
$3 million
|
|
gptkbp:cast
|
gptkb:Kurtwood_Smith
gptkb:Diane_Wiest
gptkb:Tina_Fey
gptkb:Drew_Droege
gptkb:Mckenna_Grace
gptkb:Kate_Hudson
gptkb:John_Lithgow
gptkb:Mary_Kay_Place
gptkb:Ann_Jewel_Lee_Dixon
gptkb:Anya_Taylor-Joy
gptkb:Kristen_Wiig
gptkb:Michael_Mc_Kean
gptkb:Sadie_Elizabeth_Sink
gptkb:Scarlett_Johansson
gptkb:Jason_Sudeikis
gptkb:Amy_Poehler
gptkb:Chloë_Grace_Moretz
gptkb:Hailee_Steinfeld
gptkb:Jennifer_Aniston
gptkb:Kathy_Bates
gptkb:Natalie_Portman
gptkb:Olivia_Rodrigo
gptkb:Leslie_Mann
gptkb:Julia_Butters
gptkb:Aidan_Quinn
gptkb:Dakota_Johnson
gptkb:Kaitlyn_Dias
gptkb:Margo_Martindale
gptkb:Maya_Rudolph
gptkb:Mindy_Kaling
gptkb:Saoirse_Ronan
gptkb:J._K._Simmons
gptkb:Jenna_Fischer
gptkb:Amanda_Seyfried
gptkb:Emma_Stone
gptkb:Florence_Pugh
gptkb:Rashida_Jones
gptkb:Millie_Bobby_Brown
gptkb:Rita_Moreno
gptkb:Thomas_Sadoski
gptkb:Reese_Witherspoon
gptkb:Kathy_Baker
gptkb:Lily_Collins
gptkb:Milly_Shapiro
gptkb:Lindsay_Sloane
gptkb:David_Paymer
gptkb:Lia_Marie_Johnson
gptkb:Philip_Baker_Hall
gptkb:Madison_Lintz
gptkb:Elle_Fanning
gptkb:H._E._Jo_Jo_Siwa
gptkb:Shirley_Mac_Laine
gptkb:Ariana_Greenblatt
|
|
gptkbp:character
|
gptkb:Harriet_Lauler
gptkb:Anna
gptkb:David
gptkb:Wendy
gptkb:Thelma
gptkb:Martha
gptkb:Dr._Reddy
gptkb:Elliot
gptkb:Diane
gptkb:Wesley
Anne Sherman
|
|
gptkbp:character_development
|
Anne's growth as a writer.
David's role in Harriet's life.
Harriet's journey of self-reflection.
Wendy's support for Harriet.
|
|
gptkbp:cinematography
|
gptkb:Michael_Fimognari
gptkb:Michael_Grady
gptkb:Michael_J._O'_Connor
gptkb:John_B._Aronson
|
|
gptkbp:composer
|
gptkb:Cliff_Eidelman
gptkb:John_Swihart
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
Mixed reviews
mixed reviews
|
|
gptkbp:cultural_impact
|
Exploration of intergenerational relationships.
Discussion on aging and legacy.
Impact on viewers' perspectives on life.
Reflection on personal narratives.
|
|
gptkbp:directed_by
|
gptkb:Mark_Pellington
|
|
gptkbp:director
|
gptkb:Mark_Pellington
|
|
gptkbp:distribution
|
gptkb:A24
|
|
gptkbp:distributor
|
gptkb:Gravitas_Ventures
gptkb:Magnolia_Pictures
gptkb:A24
|
|
gptkbp:edited_by
|
gptkb:Michael_Taylor
gptkb:Michael_A._Berenbaum
|
|
gptkbp:editor
|
gptkb:Michael_P._Shawver
gptkb:Michael_Taylor
gptkb:Michael_A._Berenbaum
|
|
gptkbp:famous_for
|
its quick draw
|
|
gptkbp:features
|
gptkb:Ann_Jewel_Lee_Dixon
gptkb:Amanda_Seyfried
gptkb:Thomas_Sadoski
gptkb:Shirley_Mac_Laine
Themes of mortality
|
|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:Sundance_Film_Festival_2017
|
|
gptkbp:film_score
|
gptkb:musical
composed by John Swihart
released alongside the film.
|
|
gptkbp:film_series
|
Standalone film
|
|
gptkbp:filming_location
|
gptkb:California
gptkb:Los_Angeles
|
|
gptkbp:filmography
|
gptkb:Michael_Grady
|
|
gptkbp:genre
|
gptkb:musical
gptkb:High_School
|
|
gptkbp:has_genre
|
Comedy-drama
|
|
gptkbp:home_media_release
|
June 6, 2017
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Last Word
|
|
gptkbp:influences
|
gptkb:The_Farewell
gptkb:The_Hundred-Foot_Journey
gptkb:The_Best_Exotic_Marigold_Hotel
gptkb:About_Time
gptkb:The_Intern
gptkb:The_Bucket_List
gptkb:A_Man_Called_Ove
|
|
gptkbp:inspiration
|
real-life obituary writers
|
|
gptkbp:is_available_on
|
Streaming platforms
|
|
gptkbp:is_noted_for
|
Strong performances
|
|
gptkbp:is_recognized_for
|
Its emotional depth
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:John_Swihart
gptkb:John_Frizzell
|
|
gptkbp:plot
|
A retired successful businesswoman hires a young writer to help her compose her own obituary.
An elderly woman hires a young writer to help her craft her obituary.
An elderly woman decides to write her own obituary.
A woman reflects on her life and relationships as she writes her own obituary.
A woman hires a young writer to help her compose her own obituary.
|
|
gptkbp:premiere
|
gptkb:film_festival
gptkb:Sundance_Film_Festival_2017
|
|
gptkbp:premiere_date
|
January 22, 2017
|
|
gptkbp:produced_by
|
gptkb:Mark_Pellington
gptkb:Briarcliff_Entertainment
gptkb:Shirley_Mac_Laine
|
|
gptkbp:production_company
|
gptkb:Gravitas_Ventures
gptkb:A24
The Last Word Productions
|
|
gptkbp:rating
|
48
PG-13
38%
|
|
gptkbp:release_date
|
gptkb:2017
March 10, 2017
2017-03-10
|
|
gptkbp:release_format
|
gptkb:DJ
gptkb:film
Digital
Theatrical
digital
theatrical
|
|
gptkbp:release_region
|
gptkb:United_States
|
|
gptkbp:release_year
|
gptkb:2008
gptkb:2010
|
|
gptkbp:released_in
|
gptkb:2017
|
|
gptkbp:runtime
|
98 minutes
108 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Mark_Pellington
gptkb:Stacy_Sherman
gptkb:Stacey_Menear
|
|
gptkbp:set_in
|
gptkb:United_States
A small town.
|
|
gptkbp:soundtrack
|
gptkb:musical
gptkb:The_Last_Word_(Original_Motion_Picture_Soundtrack)
gptkb:Original_score_by_John_Swihart
gptkb:Lakeshore_Records
March 10, 2017
|
|
gptkbp:starring
|
gptkb:Jason_Biggs
gptkb:Ann_Jewel_Lee_Dixon
gptkb:Kathy_Bates
gptkb:Winona_Ryder
gptkb:Margo_Martindale
gptkb:Amanda_Seyfried
gptkb:Thomas_Sadoski
gptkb:Wes_Bentley
gptkb:Shirley_Mac_Laine
|
|
gptkbp:theme
|
gptkb:Community_Center
gptkb:archaeological_site
Self-discovery
self-discovery
life and death
Life and death
family relationships
|
|
gptkbp:type_of
|
hand cannon
|
|
gptkbp:user_reviews
|
gptkb:Metacritic
gptkb:Rotten_Tomatoes
|
|
gptkbp:writer
|
gptkb:Stacy_Sherman
gptkb:Gina_O'_Brien
gptkb:Stacey_Menear
|
|
gptkbp:written_by
|
gptkb:Megan_Holley
gptkb:Stacey_Menear
|