|
gptkbp:instanceOf
|
film
|
|
gptkbp:artwork
|
black and white
low-budget special effects
|
|
gptkbp:boxOffice
|
$1 million
|
|
gptkbp:character
|
Ben
Evelyn
Martin
|
|
gptkbp:cinematographyBy
|
gptkb:John_J._McCarthy
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:criticalReception
|
mixed
|
|
gptkbp:culturalImpact
|
inspired feminist readings
discussed in film studies
|
|
gptkbp:director
|
gptkb:Roger_Corman
|
|
gptkbp:distributor
|
gptkb:American_International_Pictures
|
|
gptkbp:editor
|
Charles_Nelson
|
|
gptkbp:filmFestival
|
gptkb:Cannes_Film_Festival
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:filmingLocation
|
gptkb:California
|
|
gptkbp:genre
|
science fiction
|
|
gptkbp:homeMediaRelease
|
Blu-ray
DVD
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Last Woman on Earth
|
|
gptkbp:influencedBy
|
gptkb:The_Omega_Man
The Day the Earth Stood Still
|
|
gptkbp:influences
|
The Twilight Zone
Night of the Living Dead
|
|
gptkbp:inspiration
|
gptkb:The_Last_Man_on_Earth
|
|
gptkbp:language
|
English
|
|
gptkbp:musicComposer
|
gptkb:Fred_Katz
|
|
gptkbp:notableFeature
|
low budget
early example of post-apocalyptic film
Roger_Corman's_direction
|
|
gptkbp:plot
|
A woman and two men are the last survivors of a global catastrophe.
|
|
gptkbp:productionCompany
|
gptkb:Corman_Productions
|
|
gptkbp:releaseDate
|
April 1960
|
|
gptkbp:releaseYear
|
1960
|
|
gptkbp:remake
|
The_Last_Woman_on_Earth_(2020)
|
|
gptkbp:runtime
|
70 minutes
|
|
gptkbp:screenplayBy
|
gptkb:Robert_Towne
|
|
gptkbp:setting
|
post-apocalyptic world
|
|
gptkbp:starring
|
gptkb:Judith_Merril
gptkb:Betty_McGuire
gptkb:Anthony_Carbone
|
|
gptkbp:theme
|
isolation
survival
gender_dynamics
|
|
gptkbp:worship_style
|
true
|