|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
6
|
|
gptkbp:bfsParent
|
gptkb:Ellery_Queen
|
|
gptkbp:art_style
|
poetic realism
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
short story by Anton Chekhov
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:character
|
gptkb:Mikhail
gptkb:Anna
gptkb:Vladimir
|
|
gptkbp:cinematography
|
gptkb:Sergei_Urusevsky
|
|
gptkbp:color
|
black and white
|
|
gptkbp:composer
|
gptkb:Alfred_Schnittke
|
|
gptkbp:country
|
gptkb:Monarch
|
|
gptkbp:critical_reception
|
mixed
|
|
gptkbp:cultural_impact
|
cult classic
|
|
gptkbp:director
|
gptkb:Mikhail_Kalatozov
|
|
gptkbp:distributor
|
gptkb:Mosfilm
|
|
gptkbp:editor
|
experimental
Tamara D. Semyonova
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:genre
|
gptkb:High_School
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Last Woman in His Life
|
|
gptkbp:influenced_by
|
gptkb:Italian_neorealism
gptkb:French_New_Wave
|
|
gptkbp:influences
|
Russian literature
Chekhov's works
|
|
gptkbp:inspiration
|
gptkb:historical_event
personal experiences of the director
|
|
gptkbp:language
|
gptkb:Author
|
|
gptkbp:legacy
|
influenced future filmmakers
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:premiere
|
gptkb:Moscow
|
|
gptkbp:production_company
|
gptkb:Mosfilm
|
|
gptkbp:release_date
|
December 1976
|
|
gptkbp:release_year
|
gptkb:1976
|
|
gptkbp:remake
|
gptkb:none
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Vladimir_Vysotsky
|
|
gptkbp:setting
|
post-war Russia
|
|
gptkbp:soundtrack
|
gptkb:musical
|
|
gptkbp:starring
|
gptkb:Oleg_Yankovsky
gptkb:Vladimir_Vysotsky
gptkb:Tatiana_Samoilova
|
|
gptkbp:theme
|
love
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:Magic:_The_Gathering_set
gptkb:existentialism
gptkb:loss
|